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Stepping gracefully yet lethally into the world of elite assassins, "Ballerina" expands the John Wick universe with a fresh protagonist whose vengeance burns as fiercely as her flamethrower. Ana de Armas commands the screen as a former ballet student turned deadly killer, seeking retribution against those who destroyed her family and past life.
The trademark John Wick action choreography takes center stage with innovative weapon play that transforms ordinary objects into instruments of destruction. Plates shatter against enemies' skulls, ice picks find lethal precision, and in one breathtaking sequence, a pair of ice skates becomes improvised nunchucks. The film's centerpiece – a full-fledged flamethrower battle in the streets – delivers the kind of audacious spectacle fans have come to expect from this franchise while carving out its own visual identity.
Norman Reedus brings surprising emotional depth as a father figure with ties to our protagonist's mysterious past, while Keanu Reeves makes strategic appearances that remind us why "It's John Wick" remains the ultimate warning in this universe of killers. The Continental Hotel continues its role as neutral ground (though that rule seems increasingly flexible), and Ian McShane returns as the ever-enigmatic Winston, keeper of the assassins' code.
What distinguishes "Ballerina" is how it balances the franchise's established mythology with a personal revenge tale, expanding our understanding of the High Table and its cult-like influence while maintaining focus on a character-driven journey. For newcomers, it's an accessible entry point to this stylized world of professional killers; for devoted fans, it's a worthy addition that honors what came before while pirouetting into exciting new territory. Catch this deadly dance before the body count rises even higher.

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