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Ep 4: Transform the Correction Cycle

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Manage episode 498535608 series 3673508
Content provided by Relative Motion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Relative Motion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Cara Dixon takes you into the heart of one of the most overlooked challenges in dance training: how dance corrections are received, processed, and repeated. This isn’t just about saying it louder or more often. It’s about transforming how corrections are communicated and understood so that dancers not only hear them, but truly integrate them into their movement. If you've ever felt stuck in a loop of repeating cues without lasting change, this episode offers real, applicable insight to finally move forward.

Cara talked about:

  • What the correction cycle is and why it stalls dancer progress
  • How unclear cueing like “point your toes” and “knees over toes” leads to alignment issues
  • Why dancers may not respond to dance corrections (and how to fix it)
  • The three mental filters dancers use when receiving a dance correction: the mom voice, the “it’s them” mindset, and the “I already fixed it” belief
  • How to break the cycle with visual feedback and measurable technique training
  • Why dance correction language should shift with the dancer’s age and level
  • Strategies for creative cueing that resonate with young dancers
  • How to assess what dance corrections stick versus which ones don’t
  • The power of using analogies, visual tools, and consistency to transform technique
  • How transforming the correction cycle leads to better dance training results, stronger muscle memory, and long-term dancer success


Connect with us! 🎧

Relative Motion: https://www.instagram.com/relativemotiondance/
Youtube Relative Motion: https://www.youtube.com/@relative_motion

  continue reading

6 episodes

Artwork
iconShare
 
Manage episode 498535608 series 3673508
Content provided by Relative Motion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Relative Motion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Cara Dixon takes you into the heart of one of the most overlooked challenges in dance training: how dance corrections are received, processed, and repeated. This isn’t just about saying it louder or more often. It’s about transforming how corrections are communicated and understood so that dancers not only hear them, but truly integrate them into their movement. If you've ever felt stuck in a loop of repeating cues without lasting change, this episode offers real, applicable insight to finally move forward.

Cara talked about:

  • What the correction cycle is and why it stalls dancer progress
  • How unclear cueing like “point your toes” and “knees over toes” leads to alignment issues
  • Why dancers may not respond to dance corrections (and how to fix it)
  • The three mental filters dancers use when receiving a dance correction: the mom voice, the “it’s them” mindset, and the “I already fixed it” belief
  • How to break the cycle with visual feedback and measurable technique training
  • Why dance correction language should shift with the dancer’s age and level
  • Strategies for creative cueing that resonate with young dancers
  • How to assess what dance corrections stick versus which ones don’t
  • The power of using analogies, visual tools, and consistency to transform technique
  • How transforming the correction cycle leads to better dance training results, stronger muscle memory, and long-term dancer success


Connect with us! 🎧

Relative Motion: https://www.instagram.com/relativemotiondance/
Youtube Relative Motion: https://www.youtube.com/@relative_motion

  continue reading

6 episodes

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