Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Echoes Podcast: Immersion & Suss Interview
Manage episode 467658082 series 1533844
Content provided by Interview Podcast – Echoes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Interview Podcast – Echoes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Krautrock Country with Immersion and SUSS: The Echoes Podcast
The Echoes CD of the Month in March is going to be Nanocluster Volume 3. by Immersion and Suss and today in the podcast, I’ve got an interview with them. Immersion is the duo of Colin Newman from the iconic new wave band Wire and Malka Spigel from the Israeli new wave band Minimal Compact. SUSS is the American Ambient Country group with guitarist Bob Holmes, guitarist Pat Irwin of The Raybeats, The B-52s and soundtracks for the last two Dexter Series among many other, and pedal steel guitarist Jonathan Gregg of Jonathan Gregg & the Lonesome Debonaires.
This unlikely pairing has produced an album that’s a true meeting of ambient, country and Krautrock aesthetics and a style I might have to dub Krautrock Country. It’s spaghetti western music in space.
Colin Newman: There is a part of Malka and I that we do love, that motoric beat. And there is definitely a side of immersion that is, you know, we are quite… Into rhythm. Into rhythm. And that is the very opposite of SUSS.
Bob Holmes: . . . my goodness, they’re going to give us a song like State of Motion that has all of this rhythm in it. What happens if we give them a track that has all this air and openness in it.
Colin Newman and Bob Holmes. I talk to all members of Suss and immersion in the Echoes Podcast.
197 episodes
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Manage episode 467658082 series 1533844
Content provided by Interview Podcast – Echoes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Interview Podcast – Echoes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Krautrock Country with Immersion and SUSS: The Echoes Podcast
The Echoes CD of the Month in March is going to be Nanocluster Volume 3. by Immersion and Suss and today in the podcast, I’ve got an interview with them. Immersion is the duo of Colin Newman from the iconic new wave band Wire and Malka Spigel from the Israeli new wave band Minimal Compact. SUSS is the American Ambient Country group with guitarist Bob Holmes, guitarist Pat Irwin of The Raybeats, The B-52s and soundtracks for the last two Dexter Series among many other, and pedal steel guitarist Jonathan Gregg of Jonathan Gregg & the Lonesome Debonaires.
This unlikely pairing has produced an album that’s a true meeting of ambient, country and Krautrock aesthetics and a style I might have to dub Krautrock Country. It’s spaghetti western music in space.
Colin Newman: There is a part of Malka and I that we do love, that motoric beat. And there is definitely a side of immersion that is, you know, we are quite… Into rhythm. Into rhythm. And that is the very opposite of SUSS.
Bob Holmes: . . . my goodness, they’re going to give us a song like State of Motion that has all of this rhythm in it. What happens if we give them a track that has all this air and openness in it.
Colin Newman and Bob Holmes. I talk to all members of Suss and immersion in the Echoes Podcast.
197 episodes
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Similar to Interview Podcast – Echoes
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
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