FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time. Produced at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.
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73. The Sounds of Us
Manage episode 524902336 series 2964075
Content provided by Intersectionality Matters with Kimberlé Crenshaw and African American Policy Forum. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Intersectionality Matters with Kimberlé Crenshaw and African American Policy Forum or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Music has long been central to the fight for freedom—the rhythmic heartbeat of the struggle for justice. From Beyoncé to Shaboozey to L’il Nas X and Ryan Coogler’s Sinners, Black artists have sparked a much-needed conversation about the rich legacy of Black artistic achievement in multiple genres of American music. This episode celebrates the Black roots of country, blues and folk music by bringing together a dynamic group of artists and scholars to reclaim this often ignored history.
Guests: Jake Blount (Musician and Historian), Amythyst Kiah (Banjo Player and Historian), Amanda Ewing (Luthier), Tim Wise ( Writer and Racial Justice Educator), Denitia Odigie (Musician).
- Hosted by Kimberlé Crenshaw, produced by the team at the African American Policy Forum
- Sr. Podcast Producer /Mixer Nicole Edwards
- Find more on our show and the African American Policy Forum at aapf.org
- Music by Blue Dot Sessions, Beyoncé, DeFord Bailey.
- Follow the podcast on Instagram, Facebook, and Bluesky
- Check out our special series on the attack against CRT and DEI called United States of Amnesia: The Real Histories of Critical Race Theory
- Donate to our show
78 episodes
Share
Manage episode 524902336 series 2964075
Content provided by Intersectionality Matters with Kimberlé Crenshaw and African American Policy Forum. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Intersectionality Matters with Kimberlé Crenshaw and African American Policy Forum or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Music has long been central to the fight for freedom—the rhythmic heartbeat of the struggle for justice. From Beyoncé to Shaboozey to L’il Nas X and Ryan Coogler’s Sinners, Black artists have sparked a much-needed conversation about the rich legacy of Black artistic achievement in multiple genres of American music. This episode celebrates the Black roots of country, blues and folk music by bringing together a dynamic group of artists and scholars to reclaim this often ignored history.
Guests: Jake Blount (Musician and Historian), Amythyst Kiah (Banjo Player and Historian), Amanda Ewing (Luthier), Tim Wise ( Writer and Racial Justice Educator), Denitia Odigie (Musician).
- Hosted by Kimberlé Crenshaw, produced by the team at the African American Policy Forum
- Sr. Podcast Producer /Mixer Nicole Edwards
- Find more on our show and the African American Policy Forum at aapf.org
- Music by Blue Dot Sessions, Beyoncé, DeFord Bailey.
- Follow the podcast on Instagram, Facebook, and Bluesky
- Check out our special series on the attack against CRT and DEI called United States of Amnesia: The Real Histories of Critical Race Theory
- Donate to our show
78 episodes
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Similar to Intersectionality Matters!
FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time. Produced at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.
…
continue reading
He was born Hamish Watson, a surfie dude from Sydney – but he could morph into whatever you needed him to be. Hamish is due to be sentenced to jail in early 2019 for swindling a handful of victims out of more than $7m. But these crimes are just the final pages in a resume too thick to staple; for decades he’s duped victims in the US, Canada, Britain, Hong Kong and Australia. How did he do it? How did he evade authorities around the world for so long and what’s he done with all those tens of ...
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continue reading
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continue reading
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The UK Column is an independent news organisation analysing the information war. Operating without financial backing or external investment, we remain free from advertisers, foundations, and political parties, relying solely on support from our audience through memberships and donations.
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continue reading
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