Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo
Artwork

Content provided by Insight Myanmar Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Insight Myanmar Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Through Other Eyes

1:11:10
 
Share
 

Manage episode 517509811 series 3417051
Content provided by Insight Myanmar Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Insight Myanmar Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Episode #424: This episode opens the first of a three-part Insight Myanmar Podcast series recorded at the Decolonizing Southeast Asian Studies Conference at Chiang Mai University. The gathering brought together scholars, activists, and cultural workers exploring how colonial legacies continue to shape scholarship, storytelling, and identity in the region. In this opening episode, we hear from Jules Yim and Jochem van den Boogert, two voices who approach decolonization from distinct yet deeply connected directions.

Jules Yim treats decolonization as a living practice rather than a theory—something expressed through art, performance, and community. She describes her concept of “seapunk” as a movement grounded in rebellion and creativity, a Southeast Asian counterpart to cyberpunk or steampunk. “When we refer to punk,” she explains, “we’re referring to the outsider... the ungovernable, the unserious.” For Jules, this spirit of irreverence opens space for experimentation beyond political or academic boundaries. She contrasts the state-backed Korean Wave of pop culture with independent, community-based artistic movements that thrive on informality and collaboration. Jules also expresses an optimistic view that imagination itself is an act of resistance—a way of reclaiming voice, joy, and collective power.

Jochem van den Boogert approaches decolonization through scholarship, tracing how colonial and Cold War frameworks continue to shape Southeast Asian studies. “The main task of decolonizing Southeast Asian Studies,” he says, “has to do with getting a good grasp of that framework... and only then can we come up with alternative explanations.” His research on Javanese Islam explores how religious practices coexist in fluid, negotiated forms. “It’s about the practices,” he notes, not rigid belief. Drawing parallels to Buddhism in Burma, Jochem observes similar adaptive patterns, where communities integrate multiple truths into daily life. Both, he argues, reflect Southeast Asia’s remarkable coherence within complexity—an enduring, relational way of understanding the world.

  continue reading

452 episodes

Artwork

Through Other Eyes

Insight Myanmar

0-10 subscribers

published

iconShare
 
Manage episode 517509811 series 3417051
Content provided by Insight Myanmar Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Insight Myanmar Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Episode #424: This episode opens the first of a three-part Insight Myanmar Podcast series recorded at the Decolonizing Southeast Asian Studies Conference at Chiang Mai University. The gathering brought together scholars, activists, and cultural workers exploring how colonial legacies continue to shape scholarship, storytelling, and identity in the region. In this opening episode, we hear from Jules Yim and Jochem van den Boogert, two voices who approach decolonization from distinct yet deeply connected directions.

Jules Yim treats decolonization as a living practice rather than a theory—something expressed through art, performance, and community. She describes her concept of “seapunk” as a movement grounded in rebellion and creativity, a Southeast Asian counterpart to cyberpunk or steampunk. “When we refer to punk,” she explains, “we’re referring to the outsider... the ungovernable, the unserious.” For Jules, this spirit of irreverence opens space for experimentation beyond political or academic boundaries. She contrasts the state-backed Korean Wave of pop culture with independent, community-based artistic movements that thrive on informality and collaboration. Jules also expresses an optimistic view that imagination itself is an act of resistance—a way of reclaiming voice, joy, and collective power.

Jochem van den Boogert approaches decolonization through scholarship, tracing how colonial and Cold War frameworks continue to shape Southeast Asian studies. “The main task of decolonizing Southeast Asian Studies,” he says, “has to do with getting a good grasp of that framework... and only then can we come up with alternative explanations.” His research on Javanese Islam explores how religious practices coexist in fluid, negotiated forms. “It’s about the practices,” he notes, not rigid belief. Drawing parallels to Buddhism in Burma, Jochem observes similar adaptive patterns, where communities integrate multiple truths into daily life. Both, he argues, reflect Southeast Asia’s remarkable coherence within complexity—an enduring, relational way of understanding the world.

  continue reading

452 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play