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Curating History and Race

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Manage episode 508091683 series 2927700
Content provided by Caro Fowler. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caro Fowler or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In this first episode of our new miniseries, Erica Moiah James introduces the 18th-century pastel Portrait of a Young Woman, shares her experience first encountering the work at the Saint Louis Art Museum (SLAM), and explains how she has tackled the process of unravelling this woman’s identity. She speaks with Judy Mann, the senior curator of European art to 1800 at SLAM, discussing the acquisition of the work, its provenance, its role within the collection, and the ways in which the museum thinks about curating history and race through the care and exhibition of this portrait. Erica and Judy explore what it means to name an individual who has historically been unnamed in the history of Western art and how museums and publics might attend to the presence of Black and Brown people in historical images.

  continue reading

60 episodes

Artwork
iconShare
 
Manage episode 508091683 series 2927700
Content provided by Caro Fowler. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caro Fowler or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In this first episode of our new miniseries, Erica Moiah James introduces the 18th-century pastel Portrait of a Young Woman, shares her experience first encountering the work at the Saint Louis Art Museum (SLAM), and explains how she has tackled the process of unravelling this woman’s identity. She speaks with Judy Mann, the senior curator of European art to 1800 at SLAM, discussing the acquisition of the work, its provenance, its role within the collection, and the ways in which the museum thinks about curating history and race through the care and exhibition of this portrait. Erica and Judy explore what it means to name an individual who has historically been unnamed in the history of Western art and how museums and publics might attend to the presence of Black and Brown people in historical images.

  continue reading

60 episodes

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