This week, we’re joined by Sean Mulligan – music supervisor, sync guru, and all-round wizard of getting tunes into films and TV. He’s worked on over 50 films, placed music in major productions, and somehow hasn’t lost his mind dealing with licensing headaches.

We get into the business of sync: how to actually get your music in a film, what music supervisors wish artists and labels understood, and why sending your latest track with the subject 'this would be great for sync' might not be the best idea you've ever had. Sean breaks down what works, his favourite projects, and the dos and don’ts of pitching. So take a listen, stop wasting everyone’s time and start landing placements.