In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Manage episode 350421315 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
AVATAR: THE WAY OF WATER director of photographer Russell Carpenter ASC talks with Go Creative Show host Ben Consoli about the making of the film and using the custom-made 3D Sony Venice. Russell also dives deep into the underwater motion capture system, the process of virtual filmmaking, lighting in a virtual world and so much more.
What you will learn in this episode- Russell's thoughts on critics (02:40)
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- AVATAR's production workflow explained (52:16)
- Why it's important for filmmakers to embrace new technology (01:01:07)
- And more!
Go Creative Show is supported by:
Sony Venice Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben ConsoliFollow Connor Crosby (producer)
Follow Dave Siegel (sound mixer)
160 episodes
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Manage episode 350421315 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
AVATAR: THE WAY OF WATER director of photographer Russell Carpenter ASC talks with Go Creative Show host Ben Consoli about the making of the film and using the custom-made 3D Sony Venice. Russell also dives deep into the underwater motion capture system, the process of virtual filmmaking, lighting in a virtual world and so much more.
What you will learn in this episode- Russell's thoughts on critics (02:40)
- Filming the incredible underwater scenes with motion capture (07:37)
- Why Russell decided to film with the Sony Venice (15:28)
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- Was the Sony Venice Rialto born from AVATAR: THE WAY OF WATER? (33:10)
- Filming at 48 frames per second (37:44)
- The cinematographer's role in a VFX-heavy film (43:10)
- AVATAR's production workflow explained (52:16)
- Why it's important for filmmakers to embrace new technology (01:01:07)
- And more!
Go Creative Show is supported by:
Sony Venice Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben ConsoliFollow Connor Crosby (producer)
Follow Dave Siegel (sound mixer)
160 episodes
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Similar to Go Creative Show
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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