Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo
Artwork

Content provided by Linda Morra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Linda Morra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Player FM - Podcast App
Go offline with the Player FM app!

"Now is the Time that Artists Must Get to Work" - Zilla Jones' The World So Wide

42:26
 
Share
 

Manage episode 474611507 series 3427396
Content provided by Linda Morra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Linda Morra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

As a result of Zilla Jones’ The World So Wide, slated for publication with Cormorant Books on April 26, 2025, Linda reflects on opera (specifically Verdi’s La Forza Del Destino) – historically an elitist art form, but one that Felicity Alexander, the protagonist of Jones’ novel, in part challenges and overcomes through the very successes of her career. The trajectory of that career takes a darker turn when she finds herself in Grenada during the 1983 American invasion of that country – not an untimely revisioning of history in view of the current American political situation (27:40; 28:50).


Linda also speaks about Verdi’s La forza del destino with Renata Tibaldi as Leonore and her father's love for opera (2:15), before she turns to the interview with Zilla Jones to speak about the following:

  • Opera’s potential as an artform vs. its polarizing, and its elitism as art form (3:20; 12:30)
  • Arts vs. politics (13:30)
  • Sara Ahmed’s What’s the Use? (5:00; 6:15)
  • Of what use is art in a time like this? (6:00; 31:45)
  • Shani Mootoo (Season 3, Episode 6, 6:00)
  • Decolonization and racial politics (12:15)
  • The novel as a colonial construct (16:15)
  • Dionne Brand, Salvaging the Wreck (16:03)
  • Robinson Crusoe (16:15)
  • Felicity as mixed-race heroine (17:30; 33:20)
  • Kathleen Battle (18:46; 19:00)
  • Grenada (history of, 20:45, and its “Revo,” 23:10; Red Sky Revolution, 23.20)
  • Jones' research for the novel (24:35)
  • The history of the Panama Canal (27:40)
  • Toni Morrison (31:50)
  • Gender and racialized motherhood (34:10)
  • Felicity (naming of) (39:30)

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

87 episodes

Artwork
iconShare
 
Manage episode 474611507 series 3427396
Content provided by Linda Morra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Linda Morra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

As a result of Zilla Jones’ The World So Wide, slated for publication with Cormorant Books on April 26, 2025, Linda reflects on opera (specifically Verdi’s La Forza Del Destino) – historically an elitist art form, but one that Felicity Alexander, the protagonist of Jones’ novel, in part challenges and overcomes through the very successes of her career. The trajectory of that career takes a darker turn when she finds herself in Grenada during the 1983 American invasion of that country – not an untimely revisioning of history in view of the current American political situation (27:40; 28:50).


Linda also speaks about Verdi’s La forza del destino with Renata Tibaldi as Leonore and her father's love for opera (2:15), before she turns to the interview with Zilla Jones to speak about the following:

  • Opera’s potential as an artform vs. its polarizing, and its elitism as art form (3:20; 12:30)
  • Arts vs. politics (13:30)
  • Sara Ahmed’s What’s the Use? (5:00; 6:15)
  • Of what use is art in a time like this? (6:00; 31:45)
  • Shani Mootoo (Season 3, Episode 6, 6:00)
  • Decolonization and racial politics (12:15)
  • The novel as a colonial construct (16:15)
  • Dionne Brand, Salvaging the Wreck (16:03)
  • Robinson Crusoe (16:15)
  • Felicity as mixed-race heroine (17:30; 33:20)
  • Kathleen Battle (18:46; 19:00)
  • Grenada (history of, 20:45, and its “Revo,” 23:10; Red Sky Revolution, 23.20)
  • Jones' research for the novel (24:35)
  • The history of the Panama Canal (27:40)
  • Toni Morrison (31:50)
  • Gender and racialized motherhood (34:10)
  • Felicity (naming of) (39:30)

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

87 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Listen to this show while you explore
Play