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Weapons and There's Something Wrong with the Children

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Manage episode 518220773 series 2462524
Content provided by GeekProfs. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by GeekProfs or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This week on Friday Night Frightfest, we’re facing a chilling truth: nothing is scarier than when the children are not alright. We’re exploring the horrific subgenre of “creepy kids” or “kids in danger” by comparing the multi-perspective horror epic Weapons (2025) from the director of Barbarian, and the recent Blumhouse chiller There’s Something Wrong with the Children (2023).

Weapons (2025)
Directed by Zach Cregger, Weapons is an ambitious, sprawling horror film that centers on a terrifying mystery in the small town of Maybrook, Pennsylvania. The plot follows the case of seventeen children from the same classroom who mysteriously vanish on the same night at exactly the same time, all except one. The film explores the community’s frantic search for answers and the psychic disintegration of the adults as they grapple with the idea that the children themselves may be the source of the terror, linking themes of social collapse and supernatural dread.

There’s Something Wrong with the Children (2023)
Directed by Roxanne Benjamin, this film is a more contained take on the corrupted child trope. When two couples take a weekend trip to a remote woodland cabin, one couple’s two young children mysteriously disappear into the woods overnight near a strange set of ruins. When the kids return, Ben (Zach Gilford) begins to suspect something supernatural has possessed them, but his friends dismiss his concerns as mental health issues. The film uses the isolation of the cabin and the paranoia within the adult group to amplify the sinister horror of the changed children.

Join us as we look at these two distinct approaches to corrupted innocence. Which film offers the most chilling vision of childhood twisted into an instrument of fear? Tune in to find out!

Spoilers start around 5:50

  continue reading

165 episodes

Artwork
iconShare
 
Manage episode 518220773 series 2462524
Content provided by GeekProfs. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by GeekProfs or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This week on Friday Night Frightfest, we’re facing a chilling truth: nothing is scarier than when the children are not alright. We’re exploring the horrific subgenre of “creepy kids” or “kids in danger” by comparing the multi-perspective horror epic Weapons (2025) from the director of Barbarian, and the recent Blumhouse chiller There’s Something Wrong with the Children (2023).

Weapons (2025)
Directed by Zach Cregger, Weapons is an ambitious, sprawling horror film that centers on a terrifying mystery in the small town of Maybrook, Pennsylvania. The plot follows the case of seventeen children from the same classroom who mysteriously vanish on the same night at exactly the same time, all except one. The film explores the community’s frantic search for answers and the psychic disintegration of the adults as they grapple with the idea that the children themselves may be the source of the terror, linking themes of social collapse and supernatural dread.

There’s Something Wrong with the Children (2023)
Directed by Roxanne Benjamin, this film is a more contained take on the corrupted child trope. When two couples take a weekend trip to a remote woodland cabin, one couple’s two young children mysteriously disappear into the woods overnight near a strange set of ruins. When the kids return, Ben (Zach Gilford) begins to suspect something supernatural has possessed them, but his friends dismiss his concerns as mental health issues. The film uses the isolation of the cabin and the paranoia within the adult group to amplify the sinister horror of the changed children.

Join us as we look at these two distinct approaches to corrupted innocence. Which film offers the most chilling vision of childhood twisted into an instrument of fear? Tune in to find out!

Spoilers start around 5:50

  continue reading

165 episodes

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