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Ep 267: Between the Notes: Mark Watters & Eastman’s Soundtrax Vision

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Manage episode 508912919 series 3258514
Content provided by Damien Swaby. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Damien Swaby or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Show Notes
In this episode, I sit down with Mark Watters to talk about a life lived in music: from Disney, Pixar, and Olympic scores, to his role today at Eastman School of Music, where he oversees the Beal Institute for Film Music and Contemporary Media. We get deep into the Eastman Film & Media Festival—how it started, what it’s become, and why Rochester, NY is fast becoming a home for composer communities and cinematic sound.Mark reveals:
  • His early obsession with film music (yes, Star Wars fourteen times just for the score)
  • How “The Art & Craft of Music for Animation” ended up as a session at Soundtrax, hosted by him. Soundtrax Film Music Fest+1
  • Why the Eastman Festival is more than panels and concerts—it’s an immersive space for composers to test ideas
  • His thoughts on legacy, mentorship, and how teachers and students exchange influence
  • The way he listens now—and how that listening echoes what first drew me into music
We also weave in my own origin story: discovering Mo’ Better Blues via BBC Two, being changed by Terence Blanchard’s trumpet, and inviting back Cynda Williams (as Clarke Bentancourt, and on “Harlem Blues”) because she embodies that space between story and song.As part of this musical conversation, I reference how The South Bank Show elevated composers through storytelling, and I end with a poetic note on Rochester—where winter winds and Eastman echoes make composition both memory and promise.
Soundtrax Highlights to MentionFrom the Soundtrax Film Music Festival (October 16–18, 2025, at Eastman / Rochester) schedule: Soundtrax Film Music Fest
  • “The Art & Craft of Music for Animation” — hosted by Mark Watters in Kilbourn Hall
  • Film Scores Live! — Terence Blanchard with E-Collective & Gateways Festival Orchestra in Kodak Hall
  • John Williams Reimagined — concert of Williams’ themes rearranged for flute, cello, piano University of Rochester Calendar+1
  • Interstellar in Concert — live performance of the Zimmer/Nolan score in Rochester’s Third Presbyterian Church visitrochester.com+1
W: Soundtrax Film Music Festival

  continue reading

266 episodes

Artwork
iconShare
 
Manage episode 508912919 series 3258514
Content provided by Damien Swaby. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Damien Swaby or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Show Notes
In this episode, I sit down with Mark Watters to talk about a life lived in music: from Disney, Pixar, and Olympic scores, to his role today at Eastman School of Music, where he oversees the Beal Institute for Film Music and Contemporary Media. We get deep into the Eastman Film & Media Festival—how it started, what it’s become, and why Rochester, NY is fast becoming a home for composer communities and cinematic sound.Mark reveals:
  • His early obsession with film music (yes, Star Wars fourteen times just for the score)
  • How “The Art & Craft of Music for Animation” ended up as a session at Soundtrax, hosted by him. Soundtrax Film Music Fest+1
  • Why the Eastman Festival is more than panels and concerts—it’s an immersive space for composers to test ideas
  • His thoughts on legacy, mentorship, and how teachers and students exchange influence
  • The way he listens now—and how that listening echoes what first drew me into music
We also weave in my own origin story: discovering Mo’ Better Blues via BBC Two, being changed by Terence Blanchard’s trumpet, and inviting back Cynda Williams (as Clarke Bentancourt, and on “Harlem Blues”) because she embodies that space between story and song.As part of this musical conversation, I reference how The South Bank Show elevated composers through storytelling, and I end with a poetic note on Rochester—where winter winds and Eastman echoes make composition both memory and promise.
Soundtrax Highlights to MentionFrom the Soundtrax Film Music Festival (October 16–18, 2025, at Eastman / Rochester) schedule: Soundtrax Film Music Fest
  • “The Art & Craft of Music for Animation” — hosted by Mark Watters in Kilbourn Hall
  • Film Scores Live! — Terence Blanchard with E-Collective & Gateways Festival Orchestra in Kodak Hall
  • John Williams Reimagined — concert of Williams’ themes rearranged for flute, cello, piano University of Rochester Calendar+1
  • Interstellar in Concert — live performance of the Zimmer/Nolan score in Rochester’s Third Presbyterian Church visitrochester.com+1
W: Soundtrax Film Music Festival

  continue reading

266 episodes

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