Transformations are often quite painful. Whether we’re growing emotionally or undergoing a physical metamorphosis, real change usually demands discomfort, and sometimes even danger.
In Jon M. Chu’s Wicked films, the characters literally burst through their own limits: they sprout wings, become tin or straw, or learn to fly by defying gravity.
Like all the past Wizard of Oz books and films, Wicked is a mirror of its time. Since the Covid pandemic, conservative movements around the globe have seized on a new scapegoat: openly trans and gender-diverse people. Despite being a tiny fraction of the population, trans folks have been painted as a massive cultural threat, a convenient distraction and a powerful tool for those hungry to seize political power.
So what can Wicked teach us about facism? What can Elphaba’s journey reveal about the machinery of oppression and about the yellow brick roads queer and trans people are still carving toward liberation?
Today we’re joined by trans-tech visionary Violet Kitajewski to explore Wicked as an allegory for LGBTQ resilience, transformation, and resistance. After all, that gravity isn’t going to defy itself.
Plus-- Cynthia Erivo and Arianna Grande announce they are in a “non-demi-curious, semi-binary relationship.”
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