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Pinky Swear!

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Content provided by Exit the Stage Door. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Exit the Stage Door or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Welp, the run of play finally went against me and this bi-weekly podcast took a whole month to come up with a new episode. But in the very act of promising to do more episodes on Twitter, I caught the attention of one of my favorite theatre companies in the area: Pinky Swear Productions (also to be found on the New Play Exchange) who have been producing excellent work since 2009, including Freakshow, Be Here Now, Bondage, Tiny House Plays, The Last Burlesque as well as Cabaret XXX and it's descendants, including an upcoming Christmas special (TICKETS!)

As it turned out, co-artistic director Karen Lange (the other is Allyson Harkey) and I had some spare time the day before Thanksgiving (i.e. the day you bake all the pies) and we put it to good use. We talked about what its like to realize that you can produce the theatre you wish you could see, how great it is to connect with audiences and collaborators, Marx's conception of alienation and what that might mean in a digital age (#GermanNerd), selfies and the importance of being seen (thanks Rachel Syme!), and making waffles out of stuffing (just briefly). It was fantastic.

One particular idea that we discussed was figuring out a way to establish a co-op theatre space that could accommodate multiple theatre companies and never went dark. Think about how great it would be to work with a cadre of reliable technicians in a well-maintained space that you had an stake in, but didn't have to worry about managing yourself. If you think that's a good idea, let's talk ([email protected] or @ExitStageDoor).

  continue reading

44 episodes

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iconShare
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on February 27, 2024 01:27 (2y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 154481801 series 1124155
Content provided by Exit the Stage Door. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Exit the Stage Door or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Welp, the run of play finally went against me and this bi-weekly podcast took a whole month to come up with a new episode. But in the very act of promising to do more episodes on Twitter, I caught the attention of one of my favorite theatre companies in the area: Pinky Swear Productions (also to be found on the New Play Exchange) who have been producing excellent work since 2009, including Freakshow, Be Here Now, Bondage, Tiny House Plays, The Last Burlesque as well as Cabaret XXX and it's descendants, including an upcoming Christmas special (TICKETS!)

As it turned out, co-artistic director Karen Lange (the other is Allyson Harkey) and I had some spare time the day before Thanksgiving (i.e. the day you bake all the pies) and we put it to good use. We talked about what its like to realize that you can produce the theatre you wish you could see, how great it is to connect with audiences and collaborators, Marx's conception of alienation and what that might mean in a digital age (#GermanNerd), selfies and the importance of being seen (thanks Rachel Syme!), and making waffles out of stuffing (just briefly). It was fantastic.

One particular idea that we discussed was figuring out a way to establish a co-op theatre space that could accommodate multiple theatre companies and never went dark. Think about how great it would be to work with a cadre of reliable technicians in a well-maintained space that you had an stake in, but didn't have to worry about managing yourself. If you think that's a good idea, let's talk ([email protected] or @ExitStageDoor).

  continue reading

44 episodes

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