In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Grease (1978): "So is the grease from the chicks?!"
Manage episode 487320201 series 3371863
Content provided by The Dames of Doom. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Dames of Doom or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
After a summer of lovin' the T Birds and the Pink Ladies are back at Rydell High for their senior year. Kenickie (Jeff Conaway) and the boys (Kelly Ward, Michael Tucci, Barry Pearl) greet Danny Zuko (John Travolta) after being apart and Rizzo (Stockard Channing) and the Ladies (Dinah Manoff, Jamie Donnelly) arrive to rule the school. Meanwhile Frenchy (DiDi Conn) is tasked with showing new student, SANDY (Olivia Newton-John) around her new school. After everyone catches up through song, the kids (HA) go about their semester breaking up and making up. Principal McGee and her assistant Blanche (Eve Arden, Doody Goodman) announce a televised dance contest that brings rivals Crater Face (Dennis Stewart) and Cha-Cha DeGregorio (Annette Charles) that brings the rivalry to a head at Thunder Road in a car race that sees the T birds win. Nearly everyone graduates, Rizzo is not pregnant, Frenchy is back in school and Danny and SANDY are back together and flying off into the ether in a flying car - is everyone really in a coma? Maybe!
We'll always be together, even after grad in Grease - this week on Doom Generation.
Support this podcast at patreon.com/doomgeneration
220 episodes
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Manage episode 487320201 series 3371863
Content provided by The Dames of Doom. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Dames of Doom or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
After a summer of lovin' the T Birds and the Pink Ladies are back at Rydell High for their senior year. Kenickie (Jeff Conaway) and the boys (Kelly Ward, Michael Tucci, Barry Pearl) greet Danny Zuko (John Travolta) after being apart and Rizzo (Stockard Channing) and the Ladies (Dinah Manoff, Jamie Donnelly) arrive to rule the school. Meanwhile Frenchy (DiDi Conn) is tasked with showing new student, SANDY (Olivia Newton-John) around her new school. After everyone catches up through song, the kids (HA) go about their semester breaking up and making up. Principal McGee and her assistant Blanche (Eve Arden, Doody Goodman) announce a televised dance contest that brings rivals Crater Face (Dennis Stewart) and Cha-Cha DeGregorio (Annette Charles) that brings the rivalry to a head at Thunder Road in a car race that sees the T birds win. Nearly everyone graduates, Rizzo is not pregnant, Frenchy is back in school and Danny and SANDY are back together and flying off into the ether in a flying car - is everyone really in a coma? Maybe!
We'll always be together, even after grad in Grease - this week on Doom Generation.
Support this podcast at patreon.com/doomgeneration
220 episodes
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Similar to Doom Generation
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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