In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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251 - Making Black Mirror: “USS Callister: Into Infinity”
Manage episode 488082198 series 2855714
Content provided by Dolby. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dolby or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes.
Join us as we boldly go behind the scenes of Black Mirror: “USS Callister: Into Infinity,” with the creative team behind the episode. In this panel, the director, composer, supervising sound editor, and VFX supervisor share how they brought the nightmarish galaxy of Robert Daly back to life with bold visuals, cinematic music, and immersive sound, as well as the reasons why this became the very first Black Mirror sequel ever.
“It's really tricky when you come back and do a sequel of something. None of us wanted to work on something that was going to be any lesser than the original. And the original is… speaking for myself… the closest thing to a perfect episode. It has such a great beginning, middle and end. And it has such a great conclusion, it feels so wrapped up. Yet it's still a great launching point into a whole new recognizable world. But it's its own IP. And so I always knew that it had the potential to be a series or a sequel. I knew that I wanted to explore these characters in that world even further.”
—Toby Haynes, Director, Black Mirror: “USS Callister: Into Infinity”
Joining today’s conversation:
- Toby Haynes - Director
- Tom Jenkins - Supervising Sound Editor
- James MacLachlan - VFX Supervisor
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Please subscribe to Dolby Creator Talks wherever you get your podcasts.
You can also check out the video for this episode on YouTube.
Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
254 episodes
Share
Manage episode 488082198 series 2855714
Content provided by Dolby. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dolby or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes.
Join us as we boldly go behind the scenes of Black Mirror: “USS Callister: Into Infinity,” with the creative team behind the episode. In this panel, the director, composer, supervising sound editor, and VFX supervisor share how they brought the nightmarish galaxy of Robert Daly back to life with bold visuals, cinematic music, and immersive sound, as well as the reasons why this became the very first Black Mirror sequel ever.
“It's really tricky when you come back and do a sequel of something. None of us wanted to work on something that was going to be any lesser than the original. And the original is… speaking for myself… the closest thing to a perfect episode. It has such a great beginning, middle and end. And it has such a great conclusion, it feels so wrapped up. Yet it's still a great launching point into a whole new recognizable world. But it's its own IP. And so I always knew that it had the potential to be a series or a sequel. I knew that I wanted to explore these characters in that world even further.”
—Toby Haynes, Director, Black Mirror: “USS Callister: Into Infinity”
Joining today’s conversation:
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- Tom Jenkins - Supervising Sound Editor
- James MacLachlan - VFX Supervisor
- Daniel Pemberton - Composer
Please subscribe to Dolby Creator Talks wherever you get your podcasts.
You can also check out the video for this episode on YouTube.
Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
254 episodes
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Similar to Dolby Creator Talks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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