In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 108- Hammer Frankenstein's with Peter Cushing pt 1
Manage episode 516763508 series 2991537
Content provided by Jon Kitley, Damien Glonek, and Aaron AuBuchon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jon Kitley, Damien Glonek, and Aaron AuBuchon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), and The Evil of Frankenstein (1964)
What can you say about the Hammer Frankenstein films that hasn't been said before?
Well, a lot, actually!
In 1957, a relatively small, mostly unknown studio made a film that would forever change horror and kick off a cycle of sensual, bloody, and atmospheric fright flicks that would dominate the genre for around twenty years. To say that The Curse of Frankenstein is a classic is almost like saying that water is wet, but it is also a film that lives up to it's reputation. It and its sequels are films that not only deserve regular revisits, they also belong in more modern conversations about horror. While nearly all the films shard crewmembers and all but one were directed by Terence Fisher, one constant defined the series: Peter Cushing's mesmerizing take on Victor Frankenstein, equal parts gentleman and ghoul.
On this episode we look at the first three films in the Cushing Frankenstein cycle, and in a very real way, make a pilgrimage to one of horror's holy places. We love these films and we hope that either you do too, or that you will by the time you are done listening.
Films mentioned in this episode:
The Bride of Frankenstein (1935), Corruption (1968), The Curse of Frankenstein (1957), The Devil-Ship Pirates 1964), Dracula vs Frankenstein (1971), The Evil of Frankenstein (1964), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), Maniac (1963), Nightmare (1964), Paranoiac (1963), The Quatermass Xperiment (1955), Re-Animator (1985), The Revenge of Frankenstein (1958)
100 episodes
Share
Manage episode 516763508 series 2991537
Content provided by Jon Kitley, Damien Glonek, and Aaron AuBuchon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jon Kitley, Damien Glonek, and Aaron AuBuchon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), and The Evil of Frankenstein (1964)
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Well, a lot, actually!
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On this episode we look at the first three films in the Cushing Frankenstein cycle, and in a very real way, make a pilgrimage to one of horror's holy places. We love these films and we hope that either you do too, or that you will by the time you are done listening.
Films mentioned in this episode:
The Bride of Frankenstein (1935), Corruption (1968), The Curse of Frankenstein (1957), The Devil-Ship Pirates 1964), Dracula vs Frankenstein (1971), The Evil of Frankenstein (1964), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), Maniac (1963), Nightmare (1964), Paranoiac (1963), The Quatermass Xperiment (1955), Re-Animator (1985), The Revenge of Frankenstein (1958)
100 episodes
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Similar to Discover the Horror
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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