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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - TO BE OR NOT TO BE? A QUESTION FOR THE HOLIDAY SEASON, POSED BY NICK DRAKE AND WILL OLDHAM. DOUBLE DOWN!!

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Manage episode 519102574 series 1847932
Content provided by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

As the holidays roll around, and daylight retracts, the thoughts also cloud over to infuse the mind with a grayish motif. We’re encouraged to gather our loved ones close and practice gratitude for life’s bounty. But, what if life’s gifts have been obscured by the overwhelming influence of a mortal depression, a reflection of the disconnect between what we see around us - (disease, deprivation, tyranny, man’s inhumanity to man, etc.) - and, the opposing commercial messages which exhort us to joyfully consume?

Is this dark attitude the result of an imbalance of chemicals in the brain which can be easily adjusted by the ingestion of a pill? Or, is the undertow into hopelessness something more fundamental - an irreconcilable part of our genetic makeup - a part of life we just have to stoically accept and get on with?

Great artists reckon with these impulses by creating profound music. Today we celebrate two of the most striking practitioners of this heroic enterprise: Will Oldham and Nick Drake.

WILL OLDHAM

I See a Darkness is a masterpiece of simple straight talk about the things most of us never say. It expresses an honest representation of the apprehension that a sensitive soul feels, yet mostly keeps to themself about the inevitability of the abyss. Death walks beside us at all times, and, it helps to staunch the bleeding of fear by keeping our blindfolds on. But, sometimes, there is an urgency to share these thoughts with a friend or a counselor, and the monologue of this song invites us into that private conversation. It packs an overwhelming punch. Johnny Cash also interpreted this song near the end of his life as everything in his being boiled down to the basics.

Bonnie Prince Billy, aka Will Oldham is a DIY, Kentucky based actor-musician with a diverse resume, featuring projects with many collaborators. He’s a married man with a child, and perhaps all this inter-activity has grounded him and kept him productive. This makes sense - there is raw boned sense of the practical inherent in his style that complements the mystical.

NICK DRAKE

The doomed, etherial Nick Drake was not so lucky. He stood apart, and was other-worldly from the beginning, always uncomfortable in his own skin. His recorded output was sparse, and number of his performances minimal, yet profound in their influence. Dead at 26 from an overdose of antidepressants, Nick didn’t live long enough to see the reach that resonates with his work today, 50 years after his passing.

River Man, in 5/4 time plucked on a nylon string guitar, abetted by a serene string arrangement by Harry Robertson, is a mysterious descent into the deep waters of associative imagery. Nothing is overtly stated, but the character of Betty and the narrator going to see the River Man who has the answer to the meaning of life puts me in mind of the Millais’ painting of drowned Ophelia, floating in the river, surrounded by flowers. At peace at last.

  continue reading

465 episodes

Artwork
iconShare
 
Manage episode 519102574 series 1847932
Content provided by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

As the holidays roll around, and daylight retracts, the thoughts also cloud over to infuse the mind with a grayish motif. We’re encouraged to gather our loved ones close and practice gratitude for life’s bounty. But, what if life’s gifts have been obscured by the overwhelming influence of a mortal depression, a reflection of the disconnect between what we see around us - (disease, deprivation, tyranny, man’s inhumanity to man, etc.) - and, the opposing commercial messages which exhort us to joyfully consume?

Is this dark attitude the result of an imbalance of chemicals in the brain which can be easily adjusted by the ingestion of a pill? Or, is the undertow into hopelessness something more fundamental - an irreconcilable part of our genetic makeup - a part of life we just have to stoically accept and get on with?

Great artists reckon with these impulses by creating profound music. Today we celebrate two of the most striking practitioners of this heroic enterprise: Will Oldham and Nick Drake.

WILL OLDHAM

I See a Darkness is a masterpiece of simple straight talk about the things most of us never say. It expresses an honest representation of the apprehension that a sensitive soul feels, yet mostly keeps to themself about the inevitability of the abyss. Death walks beside us at all times, and, it helps to staunch the bleeding of fear by keeping our blindfolds on. But, sometimes, there is an urgency to share these thoughts with a friend or a counselor, and the monologue of this song invites us into that private conversation. It packs an overwhelming punch. Johnny Cash also interpreted this song near the end of his life as everything in his being boiled down to the basics.

Bonnie Prince Billy, aka Will Oldham is a DIY, Kentucky based actor-musician with a diverse resume, featuring projects with many collaborators. He’s a married man with a child, and perhaps all this inter-activity has grounded him and kept him productive. This makes sense - there is raw boned sense of the practical inherent in his style that complements the mystical.

NICK DRAKE

The doomed, etherial Nick Drake was not so lucky. He stood apart, and was other-worldly from the beginning, always uncomfortable in his own skin. His recorded output was sparse, and number of his performances minimal, yet profound in their influence. Dead at 26 from an overdose of antidepressants, Nick didn’t live long enough to see the reach that resonates with his work today, 50 years after his passing.

River Man, in 5/4 time plucked on a nylon string guitar, abetted by a serene string arrangement by Harry Robertson, is a mysterious descent into the deep waters of associative imagery. Nothing is overtly stated, but the character of Betty and the narrator going to see the River Man who has the answer to the meaning of life puts me in mind of the Millais’ painting of drowned Ophelia, floating in the river, surrounded by flowers. At peace at last.

  continue reading

465 episodes

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