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"CAPTAIN BILLY'S MAGIC 8-BALL" RIDES AGAIN WITH HANK WILLIAMS, JR. - WHISKEY BENT AND HELL BOUND - (ELEKTRA, 1979) , IN HIGH DEFINITION - THE ENTIRE ALBUM WITH THE CAPTAIN'S MAGNETIC NARRATIVE -THE CAPTAIN EXPLORES HIS COVE OF 8 TRACK TREASURES!

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Manage episode 498932142 series 1847932
Content provided by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

HANK WILLIAMS, JR. / WHISKEY BENT AND HELL BOUND / ELEKTRA, 1979

I have a good story about Hank Williams, Jr., aka “Bocephus:”

My late wife, Chemayne grew up in the backstages and dressing rooms of the biggest rock n roll arenas in the Southeast. Her mom worked for a couple of regional mega promoters, and Chemayne had many encounters with such 70’s luminaries as Willy Nelson, James Taylor, Roger Daltry, Mick Jagger, Elton John, etc. One memorable meeting involved the son of “The Hillbilly Shakespeare.” I guess she was about eight, and Hank decided to take out and display his glass eye in order to tease her. Freaked her out so bad the memory was burned into her brain for all time.

Hank worked hard to cultivate his Outlaw image, and to both embrace, and out run the weight of his father’s immense legacy, and along the way he kicked the shit out of himself, but made some damn fine records. This album was created during his high point of the late 70s-early 80s when his combination of Country, blues, and Rock went main stream - between his monster hits Family Tradition, and All My Rowdy Friends Have Settled Down. He was so big that in the early 90s he became the identifiable voice of Monday Night Football. Not only did he embody his own “Family Tradition”, but America’s as well, it seems.

It’s worth noting also that the disc was produced by Jimmy Bowen, who also produced Frank Sinatra’s Strangers in the Night - which demonstrates some cross over wizardry in service of one of Country music’s arguably biggest cross over artists.

  continue reading

457 episodes

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Manage episode 498932142 series 1847932
Content provided by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

HANK WILLIAMS, JR. / WHISKEY BENT AND HELL BOUND / ELEKTRA, 1979

I have a good story about Hank Williams, Jr., aka “Bocephus:”

My late wife, Chemayne grew up in the backstages and dressing rooms of the biggest rock n roll arenas in the Southeast. Her mom worked for a couple of regional mega promoters, and Chemayne had many encounters with such 70’s luminaries as Willy Nelson, James Taylor, Roger Daltry, Mick Jagger, Elton John, etc. One memorable meeting involved the son of “The Hillbilly Shakespeare.” I guess she was about eight, and Hank decided to take out and display his glass eye in order to tease her. Freaked her out so bad the memory was burned into her brain for all time.

Hank worked hard to cultivate his Outlaw image, and to both embrace, and out run the weight of his father’s immense legacy, and along the way he kicked the shit out of himself, but made some damn fine records. This album was created during his high point of the late 70s-early 80s when his combination of Country, blues, and Rock went main stream - between his monster hits Family Tradition, and All My Rowdy Friends Have Settled Down. He was so big that in the early 90s he became the identifiable voice of Monday Night Football. Not only did he embody his own “Family Tradition”, but America’s as well, it seems.

It’s worth noting also that the disc was produced by Jimmy Bowen, who also produced Frank Sinatra’s Strangers in the Night - which demonstrates some cross over wizardry in service of one of Country music’s arguably biggest cross over artists.

  continue reading

457 episodes

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