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I Need a Critic: May 2025 Edition

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Manage episode 481357816 series 3513873
Content provided by The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In a new installment of the Critics at Large advice hotline, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz field calls from listeners on a variety of cultural dilemmas, and offer recommendations for what ails them. Callers’ concerns run the gamut from the lighthearted to the existential; several seek works to help ease the sting of the state of the world. “I can’t say that we will solve those deeper issues,” Cunningham says. “But to share art with somebody is to offer them a companion.”

Read, watch, and listen with the critics:

The New York Issue of The New Yorker (May 12 & 19, 2025)
Birds of America,” by Lorrie Moore
“Eighth Grade” (2018)
Gilead,” by Marilynne Robinson
Danny, the Champion of the World,” by Roald Dahl
“Midnight Diner” (2016-19)
Sentimental Education,” by Gustave Flaubert
Middlemarch,” by George Eliot
My Life in Middlemarch,” by Rebecca Mead
How the Method Made Acting Modern,” by Alexandra Schwartz (The New Yorker)
Charles Schulz’s “Peanuts”
“First Reformed” (2017)
“Better Things” (2016-22)
The Functionally Dysfunctional Matriarchy of ‘Better Things,’ ” by Alexandra Schwartz (The New Yorker)
Odes,” by Sharon Olds
TJ Douglas’s “Dying
Mozart’s “The Magic Flute”
“Peppa Pig” (2004—)
Aaron Copland’s “Billy the Kid”
Dennis Wilson’s “Pacific Ocean Blue”
Caetano Veloso’s “Ofertório”
Crosby, Stills & Nash’s début album

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Learn about your ad choices: dovetail.prx.org/ad-choices
  continue reading

80 episodes

Artwork
iconShare
 
Manage episode 481357816 series 3513873
Content provided by The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In a new installment of the Critics at Large advice hotline, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz field calls from listeners on a variety of cultural dilemmas, and offer recommendations for what ails them. Callers’ concerns run the gamut from the lighthearted to the existential; several seek works to help ease the sting of the state of the world. “I can’t say that we will solve those deeper issues,” Cunningham says. “But to share art with somebody is to offer them a companion.”

Read, watch, and listen with the critics:

The New York Issue of The New Yorker (May 12 & 19, 2025)
Birds of America,” by Lorrie Moore
“Eighth Grade” (2018)
Gilead,” by Marilynne Robinson
Danny, the Champion of the World,” by Roald Dahl
“Midnight Diner” (2016-19)
Sentimental Education,” by Gustave Flaubert
Middlemarch,” by George Eliot
My Life in Middlemarch,” by Rebecca Mead
How the Method Made Acting Modern,” by Alexandra Schwartz (The New Yorker)
Charles Schulz’s “Peanuts”
“First Reformed” (2017)
“Better Things” (2016-22)
The Functionally Dysfunctional Matriarchy of ‘Better Things,’ ” by Alexandra Schwartz (The New Yorker)
Odes,” by Sharon Olds
TJ Douglas’s “Dying
Mozart’s “The Magic Flute”
“Peppa Pig” (2004—)
Aaron Copland’s “Billy the Kid”
Dennis Wilson’s “Pacific Ocean Blue”
Caetano Veloso’s “Ofertório”
Crosby, Stills & Nash’s début album

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Learn about your ad choices: dovetail.prx.org/ad-choices
  continue reading

80 episodes

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