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Brothers in Arms. Week 24: The Divine Comedy, Inferno

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Manage episode 503957450 series 3577554
Content provided by Cheryl Drury. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cheryl Drury or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This week it’s Dante, and it will be amazing. Full stop. Of all the classics you could read, The Divine Comedy may be one of the most intimidating, but it’s also one of the most necessary. In this episode I’ll break it down and share how to make the journey approachable. You can do this.

We begin with Dante’s early autobiographical work, the Nuovo Vitae (“New Life”), a short book of prose and poetry reflecting on his youth and his great love, Beatrice. It’s tender, romantic, and surprisingly fun, especially because Dante explains his own poems. For me, it echoed Boethius’s Consolation of Philosophy with its mix of prose and verse, but here the focus is entirely on poetry itself.

From there, we step into The Divine Comedy, starting with Inferno. This vast poem of 100 cantos (divided among Inferno, Purgatorio, and Paradiso) is written in tercets, here translated by Mark Musa into smooth iambic pentameter. His translation is highly readable and captures the poem’s rhythm without forcing rhyme.

The journey begins when Dante the Pilgrim finds himself lost “halfway through the journey of our life.” Guided by Virgil, he descends through the nine circles of Hell, encountering mythological figures, historical personages, and unforgettable imagery. The punishments fit the crimes (the doctrine of *contrapasso*): the lustful are blown by winds, fortune tellers walk with twisted heads, flatterers choke forever on filth.

I’ll share tips for reading Dante without getting bogged down: read quickly, jot a one-line summary of each canto, sketch a map of Hell, and above all, focus on Dante’s evolving relationship with Virgil. More than an epic, Inferno is a story of finding yourself in darkness and but not staying there—and having a friend to help you. Next to the Odyssey and the Bible, this is one of the books that merits your effort.

This is a year-long challenge! Join me next week for Purgatorio.

LINKS

Ted Gioia/The Honest Broker’s 12-Month Immersive Humanities Course (paywalled!)

My Amazon Book List (NOT an affiliate link)

CONNECT

The complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2r

To read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.

Follow me on Instagram - https://www.instagram.com/cldrury/

LISTEN

Spotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bd

Apple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321

Captivate - https://crackthebook.captivate.fm

  continue reading

61 episodes

Artwork
iconShare
 
Manage episode 503957450 series 3577554
Content provided by Cheryl Drury. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cheryl Drury or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This week it’s Dante, and it will be amazing. Full stop. Of all the classics you could read, The Divine Comedy may be one of the most intimidating, but it’s also one of the most necessary. In this episode I’ll break it down and share how to make the journey approachable. You can do this.

We begin with Dante’s early autobiographical work, the Nuovo Vitae (“New Life”), a short book of prose and poetry reflecting on his youth and his great love, Beatrice. It’s tender, romantic, and surprisingly fun, especially because Dante explains his own poems. For me, it echoed Boethius’s Consolation of Philosophy with its mix of prose and verse, but here the focus is entirely on poetry itself.

From there, we step into The Divine Comedy, starting with Inferno. This vast poem of 100 cantos (divided among Inferno, Purgatorio, and Paradiso) is written in tercets, here translated by Mark Musa into smooth iambic pentameter. His translation is highly readable and captures the poem’s rhythm without forcing rhyme.

The journey begins when Dante the Pilgrim finds himself lost “halfway through the journey of our life.” Guided by Virgil, he descends through the nine circles of Hell, encountering mythological figures, historical personages, and unforgettable imagery. The punishments fit the crimes (the doctrine of *contrapasso*): the lustful are blown by winds, fortune tellers walk with twisted heads, flatterers choke forever on filth.

I’ll share tips for reading Dante without getting bogged down: read quickly, jot a one-line summary of each canto, sketch a map of Hell, and above all, focus on Dante’s evolving relationship with Virgil. More than an epic, Inferno is a story of finding yourself in darkness and but not staying there—and having a friend to help you. Next to the Odyssey and the Bible, this is one of the books that merits your effort.

This is a year-long challenge! Join me next week for Purgatorio.

LINKS

Ted Gioia/The Honest Broker’s 12-Month Immersive Humanities Course (paywalled!)

My Amazon Book List (NOT an affiliate link)

CONNECT

The complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2r

To read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.

Follow me on Instagram - https://www.instagram.com/cldrury/

LISTEN

Spotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bd

Apple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321

Captivate - https://crackthebook.captivate.fm

  continue reading

61 episodes

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