Every week on Performance Today™, Bruce Adolphe re-writes a familiar tune in the style of a classical composer. We get one of our listeners on the phone, and our caller listens to Bruce play his Piano Puzzler™. They then try to do two things: name the hidden tune, and name the composer whose style Bruce is mimicking. From American Public Media.
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Olga Neuwirth's 'Lost Highway'
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Manage episode 516878618 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
“Which is better — the movie, or the book it’s based on?”
On today’s date in 2003, at its premiere in Graz, Austria, a new multi-media opera asked a different question: “Which is better — the opera, or the movie it’s based on?”
The new opera, Lost Highway, is by Olga Neuwirth, an Austrian composer, and was inspired by a 1997 movie by American film director David Lynch.
Like David Lynch’s film noir, Olga Neuwirth’s opera, which combines live action and music with videos and electronic tape, is dark, often baffling, and more than a little creepy – perfect for a Halloween premiere, in fact. Neuwirth herself had this to say:
“I wanted the stage to be aseptic and empty … I had to conceive music and video (the two forms of art which deal with time) simultaneously so that I would be able to match the famous film with a new arrangement of sound and image ... The singers and actors have to move through this terrible sense of space, namely, the sense of being nowhere, in a non-space, the non-real, the non-palpable … a terrifying and, at the same time, fascinating vortex between dream and reality.”
Music Played in Today's Program
Olga Neuwirth (b. 1968): Intro from Lost Highway; Klanform Wien; Johannes Kalitzke, conductor; Kairos CD-0012542KAI
113 episodes
MP3•Episode home
Manage episode 516878618 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
“Which is better — the movie, or the book it’s based on?”
On today’s date in 2003, at its premiere in Graz, Austria, a new multi-media opera asked a different question: “Which is better — the opera, or the movie it’s based on?”
The new opera, Lost Highway, is by Olga Neuwirth, an Austrian composer, and was inspired by a 1997 movie by American film director David Lynch.
Like David Lynch’s film noir, Olga Neuwirth’s opera, which combines live action and music with videos and electronic tape, is dark, often baffling, and more than a little creepy – perfect for a Halloween premiere, in fact. Neuwirth herself had this to say:
“I wanted the stage to be aseptic and empty … I had to conceive music and video (the two forms of art which deal with time) simultaneously so that I would be able to match the famous film with a new arrangement of sound and image ... The singers and actors have to move through this terrible sense of space, namely, the sense of being nowhere, in a non-space, the non-real, the non-palpable … a terrifying and, at the same time, fascinating vortex between dream and reality.”
Music Played in Today's Program
Olga Neuwirth (b. 1968): Intro from Lost Highway; Klanform Wien; Johannes Kalitzke, conductor; Kairos CD-0012542KAI
113 episodes
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