Every week on Performance Today™, Bruce Adolphe re-writes a familiar tune in the style of a classical composer. We get one of our listeners on the phone, and our caller listens to Bruce play his Piano Puzzler™. They then try to do two things: name the hidden tune, and name the composer whose style Bruce is mimicking. From American Public Media.
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Leroy Anderson in the studio
MP3•Episode home
Manage episode 505813605 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1950, Decca recording engineers committed to disc seven short works by American composer Leroy Anderson, with him conducting top-notch New York freelance musicians.
Since 1938, Anderson had been associated with the Boston Pops, for whom he had composed a string of very successful pieces, beginning with Jazz Pizzicato and Jazz Legato, complimentary works designed for the two sides of a 78-rpm disc. Anderson recorded both those pieces at his 1950 Decca session and also the first performance of a new work, The Waltzing Cat. In fact, after 1950 most of his premieres took place at Decca recording sessions. One of them, Blue Tango, sold over a million copies.
By 1953, one national survey found Anderson was the most-performed American composer of his day. That was the year he wrote his only extended orchestral work, a piano concerto. With the exception of a short-lived Broadway musical from 1958 Goldilocks, the bulk of his works are short, witty orchestral pieces, superbly crafted works intended to make audiences smile.
“I just did what I wanted to do, and it turned out that people liked it,” Anderson once said.
Music Played in Today's Program
Leroy Anderson (1908–1975): Jazz Pizzicato and The Waltzing Cat; Decca studio orchestra; Leroy Anderson, conductor; MCA 9815
113 episodes
MP3•Episode home
Manage episode 505813605 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1950, Decca recording engineers committed to disc seven short works by American composer Leroy Anderson, with him conducting top-notch New York freelance musicians.
Since 1938, Anderson had been associated with the Boston Pops, for whom he had composed a string of very successful pieces, beginning with Jazz Pizzicato and Jazz Legato, complimentary works designed for the two sides of a 78-rpm disc. Anderson recorded both those pieces at his 1950 Decca session and also the first performance of a new work, The Waltzing Cat. In fact, after 1950 most of his premieres took place at Decca recording sessions. One of them, Blue Tango, sold over a million copies.
By 1953, one national survey found Anderson was the most-performed American composer of his day. That was the year he wrote his only extended orchestral work, a piano concerto. With the exception of a short-lived Broadway musical from 1958 Goldilocks, the bulk of his works are short, witty orchestral pieces, superbly crafted works intended to make audiences smile.
“I just did what I wanted to do, and it turned out that people liked it,” Anderson once said.
Music Played in Today's Program
Leroy Anderson (1908–1975): Jazz Pizzicato and The Waltzing Cat; Decca studio orchestra; Leroy Anderson, conductor; MCA 9815
113 episodes
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