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Novel Approaches: ‘The Mill on the Floss’ by George Eliot
Manage episode 494304963 series 3476717
The Mill on the Floss is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.
Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrna
In other podcast apps: https://lrb.me/closereadingsna
Further reading in the LRB:
Rachel Bowlby on reading George Eliot:
https://www.lrb.co.uk/the-paper/v35/n07/rachel-bowlby/waiting-for-the-dawn-to-come
Dinah Birch on Eliot’s journals:
https://www.lrb.co.uk/the-paper/v21/n10/dinah-birch/no-wonder-it-ached
Rosemary Ashton on Eliot and sex:
https://www.lrb.co.uk/the-paper/v05/n03/rosemary-ashton/two-velvet-peaches
Gordon Haight’s speech on Eliot at Westminster Abbey:
Next episode: ‘Our Mutual Friend’ by Charles Dickens.
155 episodes
Manage episode 494304963 series 3476717
The Mill on the Floss is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.
Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrna
In other podcast apps: https://lrb.me/closereadingsna
Further reading in the LRB:
Rachel Bowlby on reading George Eliot:
https://www.lrb.co.uk/the-paper/v35/n07/rachel-bowlby/waiting-for-the-dawn-to-come
Dinah Birch on Eliot’s journals:
https://www.lrb.co.uk/the-paper/v21/n10/dinah-birch/no-wonder-it-ached
Rosemary Ashton on Eliot and sex:
https://www.lrb.co.uk/the-paper/v05/n03/rosemary-ashton/two-velvet-peaches
Gordon Haight’s speech on Eliot at Westminster Abbey:
Next episode: ‘Our Mutual Friend’ by Charles Dickens.
155 episodes
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