An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Fiction and the Fantastic: Mikhail Bulgakov and James Hogg
Manage episode 492041855 series 3476717
Content provided by London Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by London Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/applecrff
In other podcast apps: https://lrb.me/closereadingsff
Further reading in the LRB:
Liam McIlvanney on James Hogg:
https://www.lrb.co.uk/the-paper/v26/n22/liam-mcilvanney/about-myself
Michael Wood on Bulgakov:
https://www.lrb.co.uk/the-paper/v19/n20/michael-wood/sympathy-for-the-devil
154 episodes
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Manage episode 492041855 series 3476717
Content provided by London Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by London Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.
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Directly in Apple Podcasts: https://lrb.me/applecrff
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Further reading in the LRB:
Liam McIlvanney on James Hogg:
https://www.lrb.co.uk/the-paper/v26/n22/liam-mcilvanney/about-myself
Michael Wood on Bulgakov:
https://www.lrb.co.uk/the-paper/v19/n20/michael-wood/sympathy-for-the-devil
154 episodes
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