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Carleton Convo with Amos Paul Kennedy Jr. | February 7, 2025

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Manage episode 466181512 series 3472654
Content provided by Carleton College. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Carleton College or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Printmaker Amos Paul Kennedy Jr. delivered the Carleton convocation on Friday, February 7, from 10:50 to 11:50 a.m. in Skinner Chapel. His address is titled, “A Tirade Against Boomers.” Visit the convo website for an introductory poem Kennedy provided before his address.

As a self-described “humble negro printer,” Kennedy harnesses his printmaking abilities to produce social and political commentaries, often through posters. Kennedy’s passion for books and letters began at the age of four, yet it wasn’t until the age of 40, when Kennedy visited the living history museum of Colonial Williamsburg, that he was captivated by an eighteenth-century bookbinding and printmaking demonstration. This was the spark that inspired Kennedy to learn printmaking at a community-based letterpress shop in Chicago. Within a year, Kennedy made the leap and quit his job of nearly two decades as an AT&T systems analyst to further his education, and continued with the master book designer Walter Hamady at the University of Wisconsin–Madison, graduating with an MFA in 1997. Today, Kennedy owns a letterpress print shop in Detroit, Michigan.

Kennedy’s work is motivated by his understanding of Black identity formed through his upbringing during the Civil Rights Era, witnessing the rise of Black Nationalism in the 1970s, and living in the current Post-Civil Rights Era. Using a blend of social commentary, folk art, and graphic design, Kennedy embraces his unique style to address violence, oppression, and dehumanizing stereotypes that the Black community faces, among many other issues. He is recognized as a Glasgow Fellow in Crafts (2015) and an Individual Laureate of the American Printing History Association (2021), and he received the Outstanding Printmaker Award from the Mid Atlantic Print Council (2022), among other honors.

Learn more about Carleton Convos at go.carleton.edu/convocations

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44 episodes

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Manage episode 466181512 series 3472654
Content provided by Carleton College. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Carleton College or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Printmaker Amos Paul Kennedy Jr. delivered the Carleton convocation on Friday, February 7, from 10:50 to 11:50 a.m. in Skinner Chapel. His address is titled, “A Tirade Against Boomers.” Visit the convo website for an introductory poem Kennedy provided before his address.

As a self-described “humble negro printer,” Kennedy harnesses his printmaking abilities to produce social and political commentaries, often through posters. Kennedy’s passion for books and letters began at the age of four, yet it wasn’t until the age of 40, when Kennedy visited the living history museum of Colonial Williamsburg, that he was captivated by an eighteenth-century bookbinding and printmaking demonstration. This was the spark that inspired Kennedy to learn printmaking at a community-based letterpress shop in Chicago. Within a year, Kennedy made the leap and quit his job of nearly two decades as an AT&T systems analyst to further his education, and continued with the master book designer Walter Hamady at the University of Wisconsin–Madison, graduating with an MFA in 1997. Today, Kennedy owns a letterpress print shop in Detroit, Michigan.

Kennedy’s work is motivated by his understanding of Black identity formed through his upbringing during the Civil Rights Era, witnessing the rise of Black Nationalism in the 1970s, and living in the current Post-Civil Rights Era. Using a blend of social commentary, folk art, and graphic design, Kennedy embraces his unique style to address violence, oppression, and dehumanizing stereotypes that the Black community faces, among many other issues. He is recognized as a Glasgow Fellow in Crafts (2015) and an Individual Laureate of the American Printing History Association (2021), and he received the Outstanding Printmaker Award from the Mid Atlantic Print Council (2022), among other honors.

Learn more about Carleton Convos at go.carleton.edu/convocations

  continue reading

44 episodes

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