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Harsh Noise: Conversation with Autumn Chacon

2:01:32
 
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Manage episode 436363001 series 3595447
Content provided by Broken Boxes Projects. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Broken Boxes Projects or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode we hear from Diné and Xicana sound artist Autumn Chacon who uses her activism, art practice and community involvement to communicate as a contemporary storyteller both locally and internationally. Autumn starts the conversation with reflection on the term Artist and how claiming this identity allows for a breaking of the rules institutional working environments do not allow. We talk about sound and noise art, the complications of being a conceptual artist, and Anarchism as a way to force understanding. We learn how Autumn became an activist at a young age, informed by her parents and their generations' advocacy and frontline work. Autumn shares her cultural relationship to sound and waveforms and how she has committed her life's work to the deconstruction of ownership and forced regulations - which she carries out in all facets of her artistic practice. We look at the global solidarity that was formed at Standing Rock during the NODAPL action and Autumn reflects on her time in the movement. Autumn breaks down a global performative action she organized with other Indigenous women in order to block funding for extractive industry and which has been formatted and used in actions globally. We end our conversation with Autumn's work as a pirate radio engineer and we learn how broadcast transmission plays an important role in her art practice - breaking the boundaries of how art is accessed in institutional spaces. She pays homage to the long lineage and power of “illegal” broadcasting and reflects how pirate radio forces us to ask an important question: ‘Who do you ask permission to, and why?’ Autumn’s sovereign communication tactics and long standing work as a sound artist and broadcast engineer continues on from a long line of activists who have used waveform as a critical tool for survival and communication during resistance. Autumn urges us to bring front and center an awareness of an ongoing silent struggle for our rights - reminding us to pay attention. End track: Glory Horse by TenderizorBroken Boxes Podcast intro music by India Sky
  continue reading

149 episodes

Artwork
iconShare
 
Manage episode 436363001 series 3595447
Content provided by Broken Boxes Projects. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Broken Boxes Projects or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode we hear from Diné and Xicana sound artist Autumn Chacon who uses her activism, art practice and community involvement to communicate as a contemporary storyteller both locally and internationally. Autumn starts the conversation with reflection on the term Artist and how claiming this identity allows for a breaking of the rules institutional working environments do not allow. We talk about sound and noise art, the complications of being a conceptual artist, and Anarchism as a way to force understanding. We learn how Autumn became an activist at a young age, informed by her parents and their generations' advocacy and frontline work. Autumn shares her cultural relationship to sound and waveforms and how she has committed her life's work to the deconstruction of ownership and forced regulations - which she carries out in all facets of her artistic practice. We look at the global solidarity that was formed at Standing Rock during the NODAPL action and Autumn reflects on her time in the movement. Autumn breaks down a global performative action she organized with other Indigenous women in order to block funding for extractive industry and which has been formatted and used in actions globally. We end our conversation with Autumn's work as a pirate radio engineer and we learn how broadcast transmission plays an important role in her art practice - breaking the boundaries of how art is accessed in institutional spaces. She pays homage to the long lineage and power of “illegal” broadcasting and reflects how pirate radio forces us to ask an important question: ‘Who do you ask permission to, and why?’ Autumn’s sovereign communication tactics and long standing work as a sound artist and broadcast engineer continues on from a long line of activists who have used waveform as a critical tool for survival and communication during resistance. Autumn urges us to bring front and center an awareness of an ongoing silent struggle for our rights - reminding us to pay attention. End track: Glory Horse by TenderizorBroken Boxes Podcast intro music by India Sky
  continue reading

149 episodes

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