In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Manage episode 445970530 series 1460844
Content provided by Blank Check Productions / Talkhouse and Blank Check Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Blank Check Productions / Talkhouse and Blank Check Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What if they made a sequel to the Joker movie that was pretty much the finale of Seinfeld but it’s also a half-assed jukebox musical, and EVERYONE hated it? What if Michael Keaton had a 35-year-old pregnant daughter, but he also had precocious 9-year-old twins and a Los Angeles art gallery on the verge of financial collapse? Both scenarios lay the groundwork for two of the most “they don’t make ‘em like this” films of the year, and BOTH conclude with the same Daniel Johnston song. You can’t make this stuff up, folks! Join the crew for a fever dream of an episode that features an all-timer of a Madame Web tangent, Griffin’s grand theory of Todd Phillips self-sabotage, and some earnest reflections on the past 499 episodes that have led us to this monumental achievement.
The Box Office Game is Sponsored by Regal Cinemas:
Sign up for Regal Unlimited today and get 10% off your 3 month subscription when using code BLANKCHECK
Join our Patreon for franchise commentaries and bonus episodes.
Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!
Connect with other Blankies on our Reddit or Discord
For anything else, check out BlankCheckPod.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
545 episodes
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Manage episode 445970530 series 1460844
Content provided by Blank Check Productions / Talkhouse and Blank Check Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Blank Check Productions / Talkhouse and Blank Check Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What if they made a sequel to the Joker movie that was pretty much the finale of Seinfeld but it’s also a half-assed jukebox musical, and EVERYONE hated it? What if Michael Keaton had a 35-year-old pregnant daughter, but he also had precocious 9-year-old twins and a Los Angeles art gallery on the verge of financial collapse? Both scenarios lay the groundwork for two of the most “they don’t make ‘em like this” films of the year, and BOTH conclude with the same Daniel Johnston song. You can’t make this stuff up, folks! Join the crew for a fever dream of an episode that features an all-timer of a Madame Web tangent, Griffin’s grand theory of Todd Phillips self-sabotage, and some earnest reflections on the past 499 episodes that have led us to this monumental achievement.
The Box Office Game is Sponsored by Regal Cinemas:
Sign up for Regal Unlimited today and get 10% off your 3 month subscription when using code BLANKCHECK
Join our Patreon for franchise commentaries and bonus episodes.
Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!
Connect with other Blankies on our Reddit or Discord
For anything else, check out BlankCheckPod.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
545 episodes
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Similar to Blank Check with Griffin & David
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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En gång i veckan ägnar de en timme åt varandra, i ett samtal som ingen jävel får störa. Kan de inte bara få göra det? Låt dem hålla på! Det är NYTTIGT för dem.
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continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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continue reading
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