In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S19 - Ep 5 - Before I Change My Mind - Theater-Rooted Filmmaking
Manage episode 412404569 series 2440576
Content provided by Skid - DGA Assistant Director. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Skid - DGA Assistant Director or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
“Before I Change My Mind” is a wonderful coming-of-age story with a twist: the gender of our protagonist, Robin (played by Vaughan Murrae), is indeterminate throughout the film. Writer/Director Trevor Anderson shares how his extensive theater experience — and the support of the Edmonton theater scene — was integral to the making of this movie. We also talk about how it’s even possible to set a film in the Alberta, Canada, of 1987 for only half a million dollars (American). Trevor’s answer, which he also credits to his theater experience? A focus on character.
260 episodes
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Manage episode 412404569 series 2440576
Content provided by Skid - DGA Assistant Director. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Skid - DGA Assistant Director or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
“Before I Change My Mind” is a wonderful coming-of-age story with a twist: the gender of our protagonist, Robin (played by Vaughan Murrae), is indeterminate throughout the film. Writer/Director Trevor Anderson shares how his extensive theater experience — and the support of the Edmonton theater scene — was integral to the making of this movie. We also talk about how it’s even possible to set a film in the Alberta, Canada, of 1987 for only half a million dollars (American). Trevor’s answer, which he also credits to his theater experience? A focus on character.
260 episodes
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Similar to BELOW THE LINE PODCAST
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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