In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Filmmaker Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Filmmaker Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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John Carroll Lynch
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Content provided by Filmmaker Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Filmmaker Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
John Carroll Lynch has delivered so many performances, on so many sets, for both the big and small screen, that it is almost ridiculous. Just a few highlights of his hundreds of credits include: “The Drew Carey Show,” “Fargo,” “Zodiac,” “Big Sky,” “American Horror Story,” “The Trial of The Chicago 7”, and his latest, “Sorry Baby”. On this episode, he gives us a deep dive into his approach to the work, and how it has evolved over the years. He explains the benefits of highlighting the text based on lexical categories, how directing his first feature “Lucky” (with Harry Dean Stanton) changed his approach to acting, why he no longer believes his first impressions of a character holds as much significance, the importance of incorporating (and not erasing) everything and everyone on set into the process, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
Follow Back To One on Instagram
358 episodes
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Manage episode 502525771 series 2774377
Content provided by Filmmaker Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Filmmaker Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
John Carroll Lynch has delivered so many performances, on so many sets, for both the big and small screen, that it is almost ridiculous. Just a few highlights of his hundreds of credits include: “The Drew Carey Show,” “Fargo,” “Zodiac,” “Big Sky,” “American Horror Story,” “The Trial of The Chicago 7”, and his latest, “Sorry Baby”. On this episode, he gives us a deep dive into his approach to the work, and how it has evolved over the years. He explains the benefits of highlighting the text based on lexical categories, how directing his first feature “Lucky” (with Harry Dean Stanton) changed his approach to acting, why he no longer believes his first impressions of a character holds as much significance, the importance of incorporating (and not erasing) everything and everyone on set into the process, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
Follow Back To One on Instagram
358 episodes
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Similar to Back To One
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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