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Art of the Cut, Ep. 152: "Moonfall" Editor Ryan Stevens Harris

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Manage episode 321726510 series 2968524
Content provided by Frame.io Insider. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame.io Insider or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In today's Art of the Cut, we're speaking with Ryan Stevens Harris, who edited the film Moonfall alongside co-editor Adam Wolfe. As you'd expect from a Roland Emmerich feature, Moonfall is a big, action-adventure film filled with VFX and interesting editorial challenges to unpack.

Ryan discusses his rise up through the post team to the edit chair, the way all cinematic arts inform each other, the role of sound in world-building, and how he directed a feature film with something his relatives dug up from a basement in Omaha, Nebraska.

Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

  continue reading

67 episodes

Artwork
iconShare
 
Manage episode 321726510 series 2968524
Content provided by Frame.io Insider. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame.io Insider or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In today's Art of the Cut, we're speaking with Ryan Stevens Harris, who edited the film Moonfall alongside co-editor Adam Wolfe. As you'd expect from a Roland Emmerich feature, Moonfall is a big, action-adventure film filled with VFX and interesting editorial challenges to unpack.

Ryan discusses his rise up through the post team to the edit chair, the way all cinematic arts inform each other, the role of sound in world-building, and how he directed a feature film with something his relatives dug up from a basement in Omaha, Nebraska.

Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

  continue reading

67 episodes

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