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SPINAL TAP II: THE END CONTINUES

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Manage episode 507102473 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today on Art of the Cut we speak with Bob Joyce about editing “Spinal Tap II: The End Continues.”

Bob’s been nominated for a Emmy and an ACE Eddie for editing “Albert Brooks: Defending My Life.” Among other films his other work includes two other Rob Reiner features, Shock and Awe, and LBJ.

Today’s discussion is about the collaboration process with director Rob Reiner, using a synced recording of an audience screening to refine comic pacing, and why fantastic comic moments get deleted.

If you'd like to read along with this interview and see clips, trailers, timeline screenshots and exclusive photos, visit the BorisFX blog site:

borisfx.com/blog/aotc

  continue reading

173 episodes

Artwork

SPINAL TAP II: THE END CONTINUES

Art of the Cut

12 subscribers

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Manage episode 507102473 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today on Art of the Cut we speak with Bob Joyce about editing “Spinal Tap II: The End Continues.”

Bob’s been nominated for a Emmy and an ACE Eddie for editing “Albert Brooks: Defending My Life.” Among other films his other work includes two other Rob Reiner features, Shock and Awe, and LBJ.

Today’s discussion is about the collaboration process with director Rob Reiner, using a synced recording of an audience screening to refine comic pacing, and why fantastic comic moments get deleted.

If you'd like to read along with this interview and see clips, trailers, timeline screenshots and exclusive photos, visit the BorisFX blog site:

borisfx.com/blog/aotc

  continue reading

173 episodes

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