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A HOUSE OF DYNAMITE

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Manage episode 516927458 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today on Art of the Cut we talk with multi-Oscar winning editor Kirk Baxter, ACE about editing Oscar-winning director, Kathryn Bigelow’s film, A House of Dynamite, now playing on Netflix.

Kirk’s been on Art of the Cut before to discuss Gone Girl, Mank, and The Killer and the TV series, Mindhunter. His other films include The Girl with the Dragon Tattoo, Social Network, The Curious Case of Benjamin Button, and Zodiac.

Today’s discussion is about the traits of a good editor, the advantages of cutting a movie linearly, and the sensitive nature of the editing room.

You can read along with this podcast and see clips and exclusive photos and timeline screenshots at BorisFX's blog site: borisfx.com/blog/aotc

  continue reading

179 episodes

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A HOUSE OF DYNAMITE

Art of the Cut

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Manage episode 516927458 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today on Art of the Cut we talk with multi-Oscar winning editor Kirk Baxter, ACE about editing Oscar-winning director, Kathryn Bigelow’s film, A House of Dynamite, now playing on Netflix.

Kirk’s been on Art of the Cut before to discuss Gone Girl, Mank, and The Killer and the TV series, Mindhunter. His other films include The Girl with the Dragon Tattoo, Social Network, The Curious Case of Benjamin Button, and Zodiac.

Today’s discussion is about the traits of a good editor, the advantages of cutting a movie linearly, and the sensitive nature of the editing room.

You can read along with this podcast and see clips and exclusive photos and timeline screenshots at BorisFX's blog site: borisfx.com/blog/aotc

  continue reading

179 episodes

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