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53 | The Right of Reply

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Manage episode 521433722 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

An archival decolonist walks into a colonial institution, and dreams up a whole new paradigm for cultural heritage.

Today on Archive Fever, Wiradjuri librarian and museum educator Nathan Sentance illuminates the challenges and possibilities of bringing Indigenous epistemologies and voices into the GLAM sector.

Why is it vital to close the gap between First Nations lived experience and the white-dominated written record? How can institutions move away from old models of colonial extraction, and instead build up First Nations collections via authentic collaboration and consent? And why are art and creativity key to making this thing we call ‘decolonisation’ actually happen?

  continue reading

56 episodes

Artwork

53 | The Right of Reply

Archive Fever

11 subscribers

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Manage episode 521433722 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

An archival decolonist walks into a colonial institution, and dreams up a whole new paradigm for cultural heritage.

Today on Archive Fever, Wiradjuri librarian and museum educator Nathan Sentance illuminates the challenges and possibilities of bringing Indigenous epistemologies and voices into the GLAM sector.

Why is it vital to close the gap between First Nations lived experience and the white-dominated written record? How can institutions move away from old models of colonial extraction, and instead build up First Nations collections via authentic collaboration and consent? And why are art and creativity key to making this thing we call ‘decolonisation’ actually happen?

  continue reading

56 episodes

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