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Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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44 | Everyone is Our Ancestor

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Manage episode 449039850 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Clare and Yves are joined by Jazz Money, a queer Wiradjuri filmmaker, poet and artist whose debut feature film WINHANGANHA (2023) uses archival footage by or about First Nations people from the National Film and Sound Archive to ‘make sense of the archival inheritances that shape our present realities’. What does it mean for First Nations creators to speak back to the colonial archive? How can we honour the archive of the body? And why is it essential to foreground love and joy and sexiness and strength, alongside violence and suffering?
  continue reading

50 episodes

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44 | Everyone is Our Ancestor

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Manage episode 449039850 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Clare and Yves are joined by Jazz Money, a queer Wiradjuri filmmaker, poet and artist whose debut feature film WINHANGANHA (2023) uses archival footage by or about First Nations people from the National Film and Sound Archive to ‘make sense of the archival inheritances that shape our present realities’. What does it mean for First Nations creators to speak back to the colonial archive? How can we honour the archive of the body? And why is it essential to foreground love and joy and sexiness and strength, alongside violence and suffering?
  continue reading

50 episodes

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