In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Messy 'Beetlejuice Beetlejuice'
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Manage episode 439143548 series 2584464
Content provided by Audioboom and The Bulwark. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audioboom and The Bulwark or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss why indie studios like Neon can’t really afford great films like Hit Man anymore. Then they review Beetlejuice Beetlejuice, a nostalgia play with too many new elements. Thanks again to everyone who showed up for the live show in Dallas and the happy hour in Austin; it was great to see you. And if you enjoyed this episode, please share it with a friend!
283 episodes
MP3•Episode home
Manage episode 439143548 series 2584464
Content provided by Audioboom and The Bulwark. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audioboom and The Bulwark or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss why indie studios like Neon can’t really afford great films like Hit Man anymore. Then they review Beetlejuice Beetlejuice, a nostalgia play with too many new elements. Thanks again to everyone who showed up for the live show in Dallas and the happy hour in Austin; it was great to see you. And if you enjoyed this episode, please share it with a friend!
283 episodes
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