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Ory Patrick Podcasts

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WHEN EUSTACE MET FRANÇOISE —  I first met Françoise Mouly at The New Yorker’s old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor. I should have been intimidated, but I was fresh off the boat …
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A 5-STAR MAGAZINE (DO NOT DISTURB) — Orlando is the magazine as hotel, quite literally—we’ll explain what that means in a bit—a magazine that one can inhabit and live in, a love letter to culture in the most expansive use of the word. It’s also very Italian. Maybe because it comes from Italy. More specifically, from the mind of Antonella Dellepiane…
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ONE CITY AT A TIME — There are two kinds of travelers. The first group are those that need to see as many attractions as they can. The second are those that would rather wander around, get a feel for the place they’re visiting, and live as much like a local as possible. Neither is better. There’s no judgement here. But the people who are behind the…
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A MODERN MAGAZINE EDITOR IN A POST-MAGAZINE WORLD — In the media storm that is 2025, the person you want captaining your ship is smart, decisive, and cool, calm, and collected—in other words, she’s Nikki Ogunnaike. The editor-in-chief of Marie Claire, whom we got to know when we worked together at Elle, is the very model of a modern magazine editor…
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THE PURPOSE OF TRAVEL — The world is adrift in travel magazines that tell you to go here and stay there, to order certain foods at “of-the-moment” restaurants. And when you go to these places you find yourself surrounded by other travelers like you, and the only locals you interact with are, maybe, the waiter, or your Airbnb host, or the tour guide…
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PART OF THE STORY — Susan Casey has won National Magazine Awards for editing, writing, and design—a feat that may well be unprecedented in the industry’s history. In her native Canada, they call people like this “Wayne Gretzky.” She has worked—under various titles—for the following magazines: The Globe & Mail, Outside, Time, Esquire, eCompany, Busi…
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FOOD IS FOR EVERYONE — That meal your grandmother always cooked. Or your mother. Or your father, for that matter. The odors that permeated a kitchen or the entire house. The first taste. The idea of comfort food. So much of who we are and what we remember are about food, sure, but also about place, and most definitely about the person doing the coo…
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LOST IN TRANSLATOR — There are more than 7,000 languages in the world and there’s a good chance that you don’t speak or read most of them. Being an English-language speaker is, among other things, a huge privilege in this multilingual world because while it may not be the most widely spoken first language, English is the language that is most widel…
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AN ELEGY FOR THE ELITE — Michael Grynbaum is a correspondent for The New York Times, where he has covered media, politics, and culture for 18 years. He’s reported on three presidential campaigns, two New York City mayors—they're always so boring—and the transformation of the media world in the Trump era. He lives in Manhattan and he’s a graduate of…
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POP GOES PRINT — “Today, creativity feels like it’s being squeezed into smaller and smaller boxes. Content is designed to chase likes, rack up views, serve a clear function—a purpose….we’re here—to celebrate creativity for creativity’s sake, no strings attached. Analog isn’t dead; it’s the new rebellion.” This manifesto is a part of a striking edit…
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SHE LOVES HER WORK — The word ‘unicorn’ gets thrown around a lot these days. But in our book, Sarah Ball is the Real Deal. The editor of WSJ. Magazine is a student of old-guard, in-the-trenches, work-on-a-story-for-years magazine making, which has earned her cred among the Jim Nelsons and David Grangers of the biz. She’s also a digital native with …
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A NEW RECIPE FOR FOOD MAGAZINES — You may think a magazine called Famous for My Dinner Parties would be about food or entertaining—and I wouldn’t blame you if you did. You wouldn’t be wrong, but you also wouldn’t be right. Taking its name from Robert Altman’s film, 3 Women, Famous for My Dinner Parties started as a pandemic-inspired digital project…
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THE GOOD CITIZEN — This episode is a special one for us here at Magazeum. We even gave it its own code name: “Project Rosebud” (IYKYK). But if you only know our guest as the grandson of the man who inspired the lead character in the film classic Citizen Kane and the founder of one of the largest publishing empires in the world, you are missing out.…
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THE KIDS ARE ALRIGHT — While it’s not true that kids don’t read, it may be true that adults aren’t teaching kids to read. It’s also true that today’s children face issues that those of the past didn’t. And the pandemic—there’s that word again—impacted everyone in ways we’re still figuring out, including kids. Perhaps especially kids. There are, ama…
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A MODERN FORM OF WORSHIP — Name the five photographers who, more than any others, defined the dramatic shift in the approach to magazine photography in the late eighties and early nineties. There’s Herb Ritts, Bruce Weber, Steven Meisel. Richard Avedon, of course. Who’s missing? I’m getting to that. Today’s guest was discovered while still a studen…
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WHAT ARE YOU WAITING FOR? — Josh Jones has done a lot of things when it comes to magazines: Editor. Writer. Maker. Custom publisher. Mentor. Evangelist. All of the above. Has Josh helped write a book about hip hop in Mongolia? Yes. Has he sat back and watched Gordon Ramsey mash his face into a sandwich? Indeed. Has he written an instructive how to …
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GUARDIAN AT THE GATEFOLD — Today’s guest has become almost synonymous with graphic design and editorial publishing. His career began in the defiant New York “sex press” of the late 1960s, where not-actually-that-surprisingly, as a teenager he was already art-directing magazines like Screw and The New York Review of Sex. That unlikely starting point…
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THE REST OF THE STORY — Most people in the world live in what we in the west sometimes dismissively call the “rest of the world.” Depending on where you live, “the rest” probably includes parts, if not all, of Latin America, Africa, and the vast majority of Asia. Much like the tendency of Americans to call the champions of their sports leagues “wor…
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IMAGINE FRIENDSGIVING AS A MAGAZINE — The pandemic hit New York first and harder and longer than most places. And as a New Yorker, Joshua Glass was appalled by the eerily quiet and empty city that resulted. He wanted to connect with people, any people, but he wanted quality gatherings, as opposed to quantity. When restrictions on gatherings began t…
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THE ROADS LESS TRAVELED — Much of travel media comes with a kind of sheen to it. A gloss. Whether you are traveling Italy with a hungry celebrity or cruising Alaska in the pages of a magazine, the photos are big and Photoshopped, the text kind of breathless. And while Afar has plenty of both, it just feels a bit different. It is not a magazine that…
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GOOD TROUBLE — Troublemakers is a magazine about society’s misfits. At least from the Japanese point of view. A bilingual, English/Japanese magazine, Troublemakers came about as a way to showcase people who were different, who stayed true to themselves, or about the long road those people had taken to self-acceptance. The founders, editor Yuto Miya…
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A LIFE OF SLICE — What happens when a pastry chef meets a magazine editor in Brooklyn? No, this isn’t the setup for a joke that perhaps three people might ever find funny. But…what do you get when a pastry chef meets a magazine editor in Brooklyn? You get the start of a media brand and a movement and a community. In other words, you get Cake Zine. …
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DÉPÊCHE MODE — Viscose Journal calls itself “a journal for fashion criticism” which sounds like a simple enough—and niche enough—premise for a magazine. Founded by Jeppe Ugelvig in Copenhagen and New York in 2021, Viscose has quickly become a vital touchpoint in the fashion world. And it has evolved into something far more complicated than what it …
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THE GOING WAS VERY, VERY GOOD — I’m a writer and the former deputy editor of Vanity Fair. Now if you know anything about me, which statistically you don't, unless—shameless plug—you read my memoir, Dilettante, about my time at Vanity Fair and the golden age of the magazine business. Which, statistically, you didn’t. The only reason I have a career …
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NOTED. (RELENTLESSLY) — When a company publishes a magazine, or at least an “editorial” product, for whatever reason, it is called custom publishing. I have a long editorial background in custom. And custom has a surprisingly long history itself. How long? John Deere started publishing The Furrow in 1895. The Michelin Star started as a form of cust…
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THE SYSTEM WORKS — When I decided to launch this podcast back in 2019, it didn’t take me long to realize that I didn’t want to do it alone. The first person I called? Today’s guest, Debra Bishop. I’ve known Deb a little bit for a long time, but well enough to know her insight, humor, and world view would elevate every conversation we’d have. But al…
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A BETTER-BUILT MAGAZINE — When a company publishes a magazine, or at least an “editorial” product, for whatever reason, it is called custom publishing. I have a long editorial background in custom. And custom has a surprisingly long history itself. How long? John Deere started publishing The Furrow in 1895. The Michelin Star started as a form of cu…
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THE PERSON BEHIND THE PERSON BEHIND THE CAMERA — Close your eyes and picture a classic Rolling Stone cover. Dozens probably come to mind—portraits of music legends, movie stars, political icons, cultural rebels. Bruce. Bono. Madonna. These images are etched into our cultural memory as more than mere photographs. They’re statements. But when we reme…
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IT’S LE MONDE’S WORLD AND WE’RE JUST LIVING IN IT — Name a major newspaper—anywhere in the world—and you will find a magazine. Or two. Or three. The New York Times is the obvious example of this. The Times of London is another obvious example. And now more and more legacy newspapers from around the world are publishing their magazines in English. L…
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TWIST & SHOUT —  Philip Burke’s portraits don’t just look like the people he paints—they actually vibrate. Just look at them. With wild color, skewed proportions, and emotional clarity, his illustrations have lit up the pages of Rolling Stone, The New Yorker, Time, and Vanity Fair, capturing cultural icons in a way that feels both chaotic and essen…
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THE NEW, NEW COFFEE GENERATION — On today’s show we’re creating a storm in a coffee cup about everyone’s cup of joe. We’re spilling the beans about your morning brew. You’re going to hear a latte puns about your cuppa, your high-octane dirt, your jitter juice, your elixir, and by the time we’re done you will have both woken up and smelled the coffe…
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THE WHISTLEBLOWER — I was a reporter and editor in newspapers, including Chicago Today—which had no tomorrow—the Chicago Tribune, and the San Francisco Examiner. I made a shift to magazines becoming TV critic for People, where I came up with the idea for Entertainment Weekly, launching in 1990. After a rocky launch—a story I tell in my new book, Ma…
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IN THE REALM OF THE SENSES — Psychedelia has an image problem. At least that’s what editor and journalist Hillary Brenhouse realized after she saw through the haze. Both in art and literature, psychedelia was way more than tie-dye t-shirts and magic mushrooms. Instead of letting that idea fade into the mist, she kept thinking about it. And the more…
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EVERY DAY IS MOTHER’S DAY — A monochromator is an optical device that separates light, like sunlight or the light from a lamp, into a range of individual wavelengths and then allows … … Sorry. I failed physics the last time I took it and I would fail it again. I’m not telling you about my shortcomings for any reason, because a podcast about my shor…
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A MAN AT HIS F*#KING BEST — While several interesting themes have surfaced in this podcast, one of the more unexpected threads is this: Nearly all magazine-inclined men dream of one day working at Esquire. Some women, too. Turns out that’s also true for today’s guest, which is a good thing because that’s exactly what David Granger did. “But all thi…
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EVERY DAY IS MOTHER’S DAY — If The Full Bleed’s second season had a theme, it just might be “We Made A New Magazine During the Pandemic.” Listen to past episodes and you’ll see that our collective and unprecedented existential crisis ended up producing a lot of magazines. Melissa Goldstein and Natalia Rachlin met as coworkers at the lifestyle brand…
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“THAT’S WHAT HAPPENS WHEN YOU HAVE GRAPHIC DESIGN” — Simon Esterson is one of the most influential figures in British magazine design shaping the field for decades with his distinctive approach to editorial work. Unlike many designers who built their careers within major publishing houses, Esterson chose a different path, gravitating toward indepen…
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A WEED GROWS IN PORTLAND — Anja Charbonneau would be the first to admit she didn’t have a strategy in mind when she launched her dreamy celebration of all things marijuana, Broccoli magazine, back in 2016. Having worked as a freelance photographer and writer, and then as Creative Director of lifestyle favorite Kinfolk, she started Broccoli with the…
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THE RETURN OF THE PRODIGAL SON — Nearly 40 years after its launch, Spin magazine has returned to print—and at the helm, once again, is its founding editor and today’s guest, Bob Guccione Jr. Launched in 1985 as a scrappy, rebellious alternative to Rolling Stone, Spin became a defining voice in music journalism, championing emerging artists and unde…
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THEY’RE FIXIN’ TO CHANGE YOUR MIND — The people behind The Bitter Southerner are many things but they are not, they will remind you, actually bitter. The tongue is planted quite firmly in the cheek here. But The Bitter Southerner is, for sure, like it says on the website, “a beacon for the American South and a bellwether for the nation.” Sure, why …
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MAKE IT BIG. NO BIGGER — Paula Scher is not really a “magazine person.” But if you ever needed evidence of the value of what we like to call “magazine thinking,” look no further than Pentagram, the world’s most influential design firm. The studio boasts a roster of partners whose work is rooted in magazine design: Colin Forbes, David Hillman, Kit H…
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WTF IS AFM? — Feeld is a dating app “for the curious” and its users are an adventurous, thoughtful bunch. And Feeld is also a tech company that happens to be led by thoughtful long-term types who see the value in print as a cornerstone for their community of customers. Enter A Fucking Magazine. Led by editors Maria Dimitrova and Haley Mlotek, AFM i…
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THE WINNER — Clang! Clink! Bang! Hear that? It’s the sound of all the hardware that Jake Silverstein’s New York Times Magazine has racked up in his almost eleven years at its helm: Pulitzers and ASMEs are heavy, people! When we were preparing to speak to Jake, we reached out to a handful of editors who have loyally worked with him for years to find…
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THE HEART OF ROCK ‘N’ ROLL — There’s a saying about the Velvet Underground’s first album: it didn’t sell a lot of copies but everyone who bought it went on to form a band. Not everyone who read Creem went on to form a band, but almost everyone who ever wrote about rock music in a significant way has a connection to Creem. Founded in Detroit in 1969…
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FARM-TO-NEWSSTAND PUBLISHING — The pandemic screwed a lot of businesses over, but it did a real number on the restaurant industry. Beset by low margins at the best of times, Covid was to the business what a neglected pot of boiling milk is to your stove top. But Max Meighen, a restaurant owner in Toronto decided to fill in his down time by … creati…
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NOT THE SAFE CHOICE — Most magazines are not political. Unless, that is, you create a bilingual Arabic-English language magazine about design out of Beirut. Or another bilingual magazine about women and gender—also out of Beirut. Then, perhaps, your intentions are a bit less opaque. Maya Moumne is a Lebanese designer by training who now divides her…
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CHAMPION OF A BETTER FUTURE — Wired magazine feels like it’s been around forever. And perhaps these days any media that has been around for over 30 years qualifies as forever. It has, certainly, been around during the entirety of the digital age. It has been witness to the birth of the internet, of social media, of cellphones, and of AI. It feels l…
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EVERYONE IS A SALESMAN — In 1995, New York magazine declared Martha Stewart the “Definitive American Woman of Our Time.” And, as the saying goes (sort of), behind every Definitive American Woman of Our Time is another Definitive American Woman of Our Time. And that’s today’s guest, designer Gael Towey. But let’s back up. It’s 1982, and Martha Stewa…
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THE BRAND CALLED US — In the summer of 1995, I got an offer I couldn’t refuse. It came from my guests today, Alan Webber and Bill Taylor, the founding editors of Fast Company, widely acknowledged as one of the magazine industry’s great success stories. Their vision for the magazine was an exercise in thinking different. Nothing we did hewed to the …
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