Final Cut Pro Radio
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FCPX Podcasts
The official learning channel for the Autodesk® Flame® software products, the most comprehensive VFX, real-time color grading, and editorial finishing post-production solutions. The Autodesk® Flame® Learning Channel provides tutorials of all levels to help you learn Autodesk® Flame® Products.
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Films, Video Games, Television and all sorts of creative art forms which I love. That's pretty much what this podcast is about. 1 Big episode a week and the rest of the week will be filled with smaller episodes.
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Go Creative Show is a place for revealing and informative interviews with A-list filmmakers. Hosted by Producer and Director Ben Consoli, each week we feature cinematographers, production designers, directors and producers to share behind the scenes experiences from the hottest movies and shows. Whether you're a brand new filmmaker or a film industry veteran, Go Creative Show will entertain, inform and make you a better filmmaker.
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FCPRadio 156 Final Cut Pro 11.2, ProRes RAW and The FCP Summit in the Spring!
18:18
18:18
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18:18FCPRadio Podcast Episode 156 FCPRadio 156 Final Cut Pro 11.2, ProRes RAW, the new iPhone 17 Pro Max and The FCP Summit in the Spring the FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV htt…
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The Bear's Filmmaking Secrets with Cinematographer Drew Wehde
55:23
55:23
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55:23Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves …
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Filming Black Mirror's Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire)
41:49
41:49
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41:49In this episode of the Go Creative Show, cinematographer Stephan Pehrsson returns to discuss his visual approach to the latest Black Mirror episodes, including 'USS Callister: Into Infinity' and 'Bête Noire'. We dive into lighting technology, camera choices, in-camera effects, and the psychological tension behind every frame. 🎬 Topics Covered How Bl…
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Filming Incredible Oners with Adam Newport-Berra of The Studio
45:59
45:59
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45:59The Art of the Oner: In this episode of the Go Creative Show, acclaimed cinematographer Adam Newport-Berra joins us to discuss his work on the hit series 'The Studio'. Adam opens up about his process, the pressure and passion behind one-take sequences, lighting approaches, camera builds, and the philosophy that drives his visual choices. If you're …
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FCPRadio 155 Final Cut Pro 11.1 Update, Final Cut Pro 11.1.1 Bug fix, Hollywood, WWDC 2025, Logic Pro 11.2 Update, the FCP Team, The Final Cut Pro Creative Summit and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/Ri…
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AI in Filmmaking: The Good, The Bad, and What You Really Need to Know with Caleb Ward
50:56
50:56
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50:56Are filmmakers right to fear AI? Not exactly. In this episode, Ben Consoli sits down with Caleb Ward, co-founder of Curious Refuge, the leading platform for AI storytelling, to break down the real impact of AI on the filmmaking industry. They dive into how AI can enhance—not replace—human creativity, streamline production, and even open the door to…
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Directing & Shooting Severance Season 2 with Jessica Lee Gagné
59:46
59:46
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59:46In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode 7 directorial debut. She shares insights into her creative process, the challenges of shooting in unique environments, and the evolution of cinematography from Season One to Season Two. Jessica emphasizes the i…
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FCPRadio 154 Final Cut Pro 11.0.1 Update Final Cut Pro 11 Bug fix, Mac mini Pro, NAB 2025, the FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradio…
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Anora Cinematographer Drew Daniels on Embracing Imperfection and Shooting on Film
53:25
53:25
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53:25In this episode of the Go Creative Show, cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in shooting on film, the challenges of balancing family life with a demanding career, and the unique lighting techniques that evoke a 70s aesthetic. He shares insights into the language of film, the importance of ca…
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The Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960's era film
52:35
52:35
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52:35In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses his work on the film A Complete Unknown, exploring the visual style, character development, and innovative techniques used throughout the production. He shares insights into the evolution of cinematography as it relates to Bob Dylan's journey, the importance of te…
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FCPRadio 153 Happy FCP 11 New Year with Cirina, Brad, Philip and Bret
31:35
31:35
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31:35FCPRadio 153 Happy FCP 11 New Year with Cirina, Brad, Philip and Bret Final Cut Pro 11, Bugs, Transcribe to Captions, BRAW in FCP11, Bug fix, Mac mini Pro, Gamma shift, move one pixel in the Viewer, Brads donuts, Apple Spaceship Campus, FCP Creative Summit 2024, FCP Team and lots more! Year 10 of Final Cut Pro Radio. 2 Millions+ podcast downloads B…
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Nosferatu Cinematography Secrets: Jarin Blaschke on Crafting a Haunting Look with Robert Eggers
46:19
46:19
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46:19In this episode of the Go Creative Show, cinematographer Jarin Blaschke discusses his work on the new film Nosferatu, reflecting on his journey in cinematography and the collaborative process with director Robert Eggers. He delves into the unique visual style of Nosferatu, including the use of moonlight and lighting techniques, as well as the chall…
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WICKED Cinematography and Return of Practical Effects with Alice Brooks
44:57
44:57
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44:57In this episode of the Go Creative Show, cinematographer Alice Brooks discusses her work on the film Wicked, exploring its visual aesthetic, the return of practical effects in cinema, and the challenges of lighting large sets. She emphasizes the importance of collaboration and trust within her crew, the role of nature in storytelling, and the innov…
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Best Organization Tools for Filmmakers, New FCPX, Nosferatu Reactions
36:12
36:12
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36:12In this episode of the Go Creative Show, hosts Ben Consoli and Connor Crosby celebrate the recent rebranding of BC Media Productions and emphasizing the importance of organization in the filmmaking process. They share their top organizational tools, including Notion, for project management and staying organized amidst a busy production schedule. Th…
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FCPRadio 152 FCP Creative Summit, Apple Mac event with Upcoming version of Final Cut Pro
25:40
25:40
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25:40FCPRadio 152 FCP Creative Summit, Apple Mac event with an Upcoming version of Final Cut Pro with an all-star cast from last year's Creative Summit Expo. Steve Martin, Mark Spencer, Cirina Catania, Brad Olsen, Dylan Bates the Final Cut Bro, Chuck Braverman, Sam Mestman, Chris Hocking, Michael Yanovich and Iain Anderson Year 9 of Final Cut Pro Radio.…
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American Sports Story Aaron Hernandez Cinematography with Elie Smolkin
42:53
42:53
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42:53In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series 'American Sports Story: Aaron Hernandez.' They discuss the unique storytelling approach of the series, focusing on the complexities of Aaron Hernandez's life beyond sports. Elie shares insights into the visual style, includi…
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The Cinematography of Monsters: The Lyle and Eric Menendez Story with Jason McCormick
50:08
50:08
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50:08In this episode of the Go Creative Show, host Ben Consoli welcomes back Jason McCormick, the director of photography for 'Monsters: The Lyle and Eric Menendez Story.' They discuss the pressures and expectations of following a successful series, the approach to adapting controversial real-life stories, and the unique lighting and visual style of the…
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Immersive Filmmaking, Joker 2 Review, Meta Movie Gen and AI tools for Video Production
32:38
32:38
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32:38Summary In this episode of the Go Creative Show, Ben Consoli and Connor Crosby discuss the latest happenings in the film industry, including their thoughts on Apple's new immersive film 'Submerge' and the controversial musical 'Joker 2'. They also delve into the impact of AI on filmmaking, highlighting the advancements in video generation technolog…
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Honing Your Producer Skills, Tips to Find Crew Around The World, Why You Need Specialized Demo Reels
34:34
34:34
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34:34In this episode of The Go Creative Show, Ben and Connor dive into the art of building production crews across different locations. They share fun and practical tips, from using Facebook groups and Production Hub to find local talent, to creating eye-catching specialized reels for cinematographers. Plus, they highlight why being a jack-of-all-trades…
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FCPRadio 151 Final Cut Pro Radio, iPhone 16 Pro Max and the Final Cut Pro Creative Summit
22:58
22:58
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22:58FCPRadio 151 Final Cut Pro Radio, The iPhone 16 Pro Max, the Final Cut Pro Creative Summit, the return to the Juniper Hotel in Cupertino, the enhanced magnetic timeline, DaVinci Resolve, Text based editing and lots more. Year 9 of Final Cut Pro Radio. Millions of podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpr…
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Is iPhone 16 the Next Cinema Camera, Tech's Impact on Filmmaking, Apologies and Reintroductions
33:25
33:25
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33:25In this episode of The Go Creative Show, host Ben Consoli and producer Connor Crosby discuss the recent hiatus of the podcast, their busy schedules, and the future direction of the show. They explore the impact of new technology, particularly the iPhone 16 camera capabilities, on the filmmaking industry. The conversation delves into whether iPhones…
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FCPRadio 150 LumaFusion with Terry Morgan and Chris Demiris plus AI and Final Cut Pro chat
43:30
43:30
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43:30FCPRadio 150 LumaFusion with Terry Morgan and Chris Demiris plus Final Cut Pro chat Ai, Ai and more AI, The return to the Juniper Hotel in Cupertino California for the Final Cut Pro Creative Summit, enhanced magnetic timeline, DaVinci Resolve, Final Cut iPad, Text based editing, subscriptions, Final Cut Pro Team and lots more. Year 9 of Final Cut P…
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Baby Reindeer Cinematography (with Krzysztof Trojnar) GCS331
37:21
37:21
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37:21Cinematographer Krzysztof Trojnar discusses his work on the Netflix show Baby Reindeer, sharing insights into the visual approach, using the Alexa LF Mini camera package, lens choices, and creating a sense of claustrophobia in cinematography. He also delves into the challenges of depicting drug use and the impact of AI tools on the industry. CONNEC…
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Winning Time Season 2 Cinematography (with Todd Banhazl, Ricardo Diaz, and John Matysiak) GCS330
59:03
59:03
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59:03WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use of mixed formats to create an authentic '80s aesthetic. They shed light on their collaboration in bringing the Celtics vs. Lakers rivalry to life on screen, their seamless blend of drama and humor, collaboration…
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Gran Turismo Cinematography (with Jacques Jouffret) GCS329
51:21
51:21
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51:21GRAN TURISMO director of photography Jacques Jouffret shares his adrenaline-inducing visual approach to creating this gripping and authentic racing film. We discuss his meticulous approach to capturing the racing world's intensity, blending realism and authenticity without relying on heavy VFX. Also find out about his meticulous approach to recreat…
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The Righteous Gemstones Cinematography (with Paul Daley) GCS328
48:51
48:51
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48:51THE RIGHTEOUS GEMSTONES director of photography Paul Daley breaks down his visual approach to season 3. We discuss the various camera movement, lighting, and lensing tricks he used to advance the latest season. Find out how the lotus scene was shot practically, how Paul makes studio sets look real, and so much more. Subscribe Now! What you will lea…
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The Little Mermaid Cinematography (with Deon Beebe ACS ASC) GCS327
58:24
58:24
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58:24Disney's live-action adaptation of THE LITTLE MERMAID is a beautiful retelling of the beloved animated film. It's filled with the characters and songs you love while keeping it fresh and modern. Director of photography Deon Beebe ACS ASC shares how they used incredible rigs to pull off the spectaular underwater scenes. Deon and Go Creative Show hos…
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Beau is Afraid Cinematography (with Pawel Pogorzelski) GCS326
53:13
53:13
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53:13Cinematographer Pawel Pogorzelski returns to Go Creative Show to discuss his latest film Beau Is Afraid and his collaboration with director Ari Aster. Pawel shares his experience filming with the Sony Venice and Rialto extension system, how he creates a cohesive palette for the film's many different looks, and the lens and lighting choices that gav…
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Elvis Cinematography (with Mandy Walker, ASC, ACS) GCS325
48:46
48:46
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48:46ELVIS director of photography Mandy Walker, ASC, ACS breaks down her incredible Oscar-nominated visual approach to the film. We discuss her great level of detail recreating iconic Elvis concerts, how different lenses were used for each of the decades, portraying Elvis' internal struggles through evolving lighting, and more. Subscribe Now! What you …
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Devotion Cinematography (with Erik Messerschmidt, ASC) GCS324
57:30
57:30
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57:30DEVOTION director of photography Erik Messerschmidt, ASC shares the incredible way most of the fighter plane shots were captured practically. Plus, we discuss the visual approach to the film, the advantage of using custom lenses over filtration, the disadvantages to using an LED volume, and so much more. Subscribe Now! What you will learn in this e…
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Glass Onion: A Knives Out Mystery Cinematography (with Steve Yedlin ASC) GCS323
59:51
59:51
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59:51GLASS ONION: A KNIVES OUT MYSTERY director of photography Steve Yedlin, ASC gives a masterclass in murder mystery cinematography. Learn how the blackout scene was shot, techniques for filming ensemble casts, and how motivated camera movement was its own character in the film. Subscribe Now! What you will learn in this episode Steve's thoughts on st…
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The White Lotus Season 2 Cinematography (with Xavier Grobet ASC AMC) GCS322
47:55
47:55
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47:55THE WHITE LOTUS season 2 director of photography Xavier Grobet, ASC, AMC joins us to discuss the pro's and con's of filming in a real hotel in Sicily, creating realistic sex scenes, shooting day for night, and more. Xavier tells Go Creative Show host Ben Consoli all about his camera and lens choices and how he paid homage to Monica Vitti's classic …
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Avatar: The Way of Water Cinematography (with Russell Carpenter ASC) GCS321
1:05:55
1:05:55
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1:05:55AVATAR: THE WAY OF WATER director of photographer Russell Carpenter ASC talks with Go Creative Show host Ben Consoli about the making of the film and using the custom-made 3D Sony Venice. Russell also dives deep into the underwater motion capture system, the process of virtual filmmaking, lighting in a virtual world and so much more. Subscribe Now!…
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Wakanda Forever Cinematography (with Autumn Durald Arkapaw ASC) GCS320
57:29
57:29
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57:29BLACK PANTHER: WAKANDA FOREVER director of photographer Autumn Durald Arkapaw ASC joins Go Creative Show host Ben Consoli to discuss her camera, lighting and lens choices. We also discuss her early career, filming Underwater "dry for wet," night exterior and Autumn's experience with the Sony Venice. Subscribe Now! What you will learn in this episod…
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The Bear Cinematography (with Andrew Wehde) GCS319
58:09
58:09
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58:09THE BEAR is a masterclass in creating visual chaos and its director of photography Andrew Wehde shares his camera and lighting techniques and philosophies. Andrew and Go Creative Show host, Ben Consoli, discuss tips of filming food, how his approach to cinematography is different in and out of the kitchen, use of camera movement, approach to lighti…
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Dahmer Cinematography (with Jason McCormick) GCS318
50:24
50:24
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50:24Cinematographer Jason McCormick breaks down his cinematography for the Netflix hit series, DAHMER - MONSTER: THE JEFFREY DAHMER STORY. Jason and Go Creative Show host, Ben Consoli, discuss the gritty cinematography, challenges of working with episodic directors, shooting with the Sony Venice, and we break down some of the series' most brutal scenes…
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Customising your UI with Batch Layouts - Flame 2023.2
5:46
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5:46In Flame 2023.2, the team have continued to improve the Flame interface when it comes to node compositing. So now you have custom layouts in Batch, allowing you easily switch up the Batch UI as you perform certain tasks. This matches what you can currently do in the Effects Environment. So you’ll learn how to switch between the different Batch layo…
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Working Faster with Automatic Batch Durations - Flame 2023.2
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4:08One of the many small improvements in Flame 2023.2 is a couple of automated functions to make your life even easier. In this video, you’ll touch on automatic Batch durations as well as automatic durations when setting up render and write file nodes.By Autodesk
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Render & Write File Updates - Flame 2023.2
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10:02
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10:02In the Flame 2023.2 update, a few enhancements have been made to the render and write file nodes based on your feedback. So in this video, we’ll discuss setting up a render, looking at the render duration, offsetting Timecodes where needed and various improvements to the Write File node which should make the Open Clip and Versioning workflows a lot…
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As your composites grow larger in the Batch Schematic, it can sometimes get difficult to locate and find the nodes you’re looking for. As of Flame 2023.2, A new search tool has been added to the Batch Environment to help you find exactly what you want based off a set of criteria. In this video, you’ll learn how to search for specific nodes in the B…
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When it comes to handling multi-channel media in Flame 2023.2, there have been a few significant improvements to make it easier within the Flame workflow. So in this video, you’ll look at the multi-channel clip, the Multi-Channel rules, changes in Action Outputs And finally, how multi-channel media is now handled in the Render and Write File nodes.…
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Updating the Animation Editor - Part 06 - The Edit Box - Flame 2023.2
7:29
7:29
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7:29With Flame 2023.2, the team have continued to add more functionality to the animation editor based on your feedback. So now you can manipulate your animation keyframes using an Edit Box, giving you a more interactive experience when retiming and scaling an animation. This video will cover using the Edit Box on the Curves as well as using the Edit B…
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The Northman Behind the Scenes (with Robert Eggers and Jarin Blaschke) GCS317
59:42
59:42
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59:42Director Robert Eggers and cinematographer Jarin Blaschke return to the Go Creative Show to discuss THE NORTHMAN. Listen as Robert and Jarin boldly and honestly share their struggles and victories while making the film. Robert, Jarin, and Go Creative Show host, Ben Consoli, break down the film's fluid camera movement, how to expose for low light sc…
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