Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo

Bad Films In Good Company Podcasts

show episodes
 
Artwork

1
The WhatsOnStage Podcast

Sarah Crompton & Alex Wood

icon
Unsubscribe
icon
icon
Unsubscribe
icon
Weekly+
 
WhatsOnStage managing editor Alex Wood and chief theatre critic Sarah Crompton host a weekly podcast on all things theatrical. News, views, frank exchanges and lists offer an unmissable guide to what’s happening on stage (and in film and on television) now, in the past and in future. From musicals, to plays, to immersive shows, to interviews with the biggest stars, there's something for everyone! Hosted on Acast. See acast.com/privacy for more information.
  continue reading
 
Artwork

1
BFGCPodcast

Bad Films in Good Company

icon
Unsubscribe
icon
icon
Unsubscribe
icon
Monthly
 
Join Ben and Foz as they try to find out if Bad Films can be entertaining in Good Company. Watching the worst movies known to humanity, so you don’t have to. New episodes released every Tuesday on SoundCloud, iTunes, TuneIn Radio, Pocketcasts, and all your favourite podcast places
  continue reading
 
Artwork

1
Boston Blackie

Entertainment Radio

icon
Unsubscribe
icon
icon
Unsubscribe
icon
Monthly
 
Boston Blackie is a fictional character originally created by author Jack Boyle. He's a fascinating figure in crime fiction history due to his evolution across different media. Here's a breakdown of the character: Origin as a Gentleman Thief: In Jack Boyle's original short stories (starting in 1914), Boston Blackie was a jewel thief and safecracker. Boyle himself had a criminal past and wrote the first stories while incarcerated. Blackie was depicted as a "gentleman thief" with his own code ...
  continue reading
 
Artwork

4
Les and Jack on Writing - Uncensored

Jack Holland and Les Edgerton

icon
Unsubscribe
icon
icon
Unsubscribe
icon
Monthly
 
Les Edgerton and Jack Holland discuss the writing of a publishable novel in a relaxed, chatty format. They saw the need for some real-life info on effective writing versus the cookie-cutter bumper sticker advice many podcasts are based on. Their advice is based on what works in the real world of publishing. Example: Write what you know. Bullshit, bumper sticker advice. Better: Write what you can convince the reader you know. If a writer followed the first piece of advice, chances are pretty ...
  continue reading
 
Loading …
show series
 
Sarah goes to @sohoplace to talk to writer David Eldridge about his two plays running in London at the moment: End at the National Theatre, the completion of his relationships trilogy, and The Spy Who Came In From The Cold, the first adaptation of a John Le Carré novel for the stage. Hosted on Acast. See acast.com/privacy for more information.…
  continue reading
 
As he approaches press night, we check in with award-winning actor Paul Hilton, who is getting his Scrooge on this Christmas at the Old Vic. He reflects on finding his own way into the iconic miser, and what drew him to Jack Thorne’s adaptation of Charles Dickens’ classic after initially turning the role down. More broadly, he reflects on his caree…
  continue reading
 
With Wicked: For Good soaring into cinemas this week, editor-in-chief Alex Wood sat down with the two-part big-screen adaptation's casting directors – Bernie Telsey and Tiffany Little Canfield – to discuss how they assembled such a rich and varied ensemble for the blockbuster franchise. The duo, with a long history of casting on stage and screen, s…
  continue reading
 
Trailed last week in our main episode, editor-in-chief Alex Wood sits down with Alan Cumming, who has just announced a jam-packed, star-studded first season at Pitlochry Festival Theatre. He may not be taking a salary, but he isn't taking his time either – delivering a huge bill of shows with strong international names. He also discusses his time w…
  continue reading
 
What a week Sarah Crompton and Alex Wood have had! Not only did they have a trip to Panem to sample the stage adaptation of The Hunger Games (the results left a lot to chew on), but Sarah's been down to Middle Temple Hall to celebrate a brand new initiative to help make Shakespeare more accessible in schools, courtesy of the Foyle Foundation and th…
  continue reading
 
In this WhatsOnStage Podcast special, two of the stars of the Donmar Warehouse production of Next to Normal – Caissie Levy and Jack Wolfe – reunite as they both take on Broadway at the same time. The pair are currently starring in separate shows – Levy as Mother in the critically lauded revival of Ragtime, Wolfe in the role Orpheus in the much-love…
  continue reading
 
Sarah and Alex have been watching Mr Burton, the film about Richard Burton’s early life starring Toby Jones that gets its TV on BBC on the centenary of his birth. And also Wild Genius, a documentary about this fascinating man who changed the course of acting and of celebrity. They’ve also begun to choose the most promising Christmas shows including…
  continue reading
 
In this bonus episode, editor-in-chief Alex Wood chats to James Hameed and Arti Shah - the two performers who sent social media into meltdown on Saturday night when the musical version of Paddington had its first preview. Alongside the creatives, Shah and Hameed details the long process required to make Paddington work - and how it has been rehears…
  continue reading
 
On this bonus episode, we’re joined by one of the most prolific producers in the business – Colin Ingram. He’s the award-winning mind behind Back to the Future: The Musical, Ghost, and Grease The Musical, and this year marks the 20th anniversary of his company, Colin Ingram Limited. In our podcast he weighs in on the star casting debate, the future…
  continue reading
 
Luke Norris, Tilda Swinton, Gary Oldman, Ryan Calais Cameron, Robert Aramayo, John Proctor is the Villain and so much more – the Royal Court season is celebrating its 70th birthday in style. We hop into artistic director David Byrne's office to get the lowdown on his programming choices – how he's both honouring and winking at the history of this h…
  continue reading
 
Sarah and Alex meet up from opposite sides of the Atlantic to discuss the latest hot news in theatre including Chris Pine’s casting in Ivanov at the Bridge Theatre, how Keanu Reeves and Alex Winter are landing on Broadway in Jamie Lloyd’s Waiting for Godot and why the new stage production of The Hunger Games found itself in a lose-lose situation wi…
  continue reading
 
On this special Monday bonus episode, we hopped over to the Garrick Theatre to check in with the stars of The Producers, Andy Nyman and Marc Antolin, who had a very special announcement for the five-star West End production... The duo have been playing the two lead roles in the show since it opened to acclaim at the Menier Chocolate Factory – it no…
  continue reading
 
Following a high-profile launch for the Women's Health in Theatre report at the Harold Pinter Theatre last week, chief critic Sarah Crompton sat down with the report's pioneer, award-winning producer Emily Vaughan-Barratt, at her offices in London. The report's finding were an uncompromising reminder of the constant hurdles placed in front of women…
  continue reading
 
In this episode, we head to the US where editor David Gordon sits down with director Bill Condon to discuss his new movie version of Kiss of the Spider Woman. Together they explore his approach to adapting the acclaimed story for the stage, the themes of identity and survival, and the creative process behind bringing such an iconic work to life. It…
  continue reading
 
To be or not to be - that is the question... Or is it "Do You Hear The People Sing?" As Les Misérables celebrates 40 years in the West End, Sarah and Alex reflect on the runaway success of the iconic musical that has enchanted audiences for decades. What does it say about the critics that they got it so wrong? Meanwhile, the National Theatre has op…
  continue reading
 
We’re heading to Manchester to celebrate a remarkable milestone. It’s been ten years since the Hope Mill Theatre first opened its doors, transforming a former textile mill into one of the country’s most respected independent producing houses. With just over 145 seats, it’s an intimate space that’s punched well above its weight — staging acclaimed r…
  continue reading
 
Sarah and Alex catch up on the latest in a hectic season of theatre and talk about why The Weir by Conor McPherson really is one of the great plays of the past 50 years. And - actors getting wet is always irresistible, but does it just make you think about drainage? Hosted on Acast. See acast.com/privacy for more information.…
  continue reading
 
In a little midweek episode, we bring you red carpet interviews from London and New York. On Sunday, Rachel Zegler picked up the Best West End Debut Performer award at The Stage Debut Awards in London for her performance leading Evita in the West End, while over in New York, the stars of the forthcoming production of Chess came together to discuss …
  continue reading
 
As Jane Austen celebrates her 250th birthday, Ava Pickett has adapted Emma for the stage. She’s taken a radical approach. She talks to Sarah about why Austen is still the best portrayer of complex women, how hard it is to write comedy, the freedom of writing period drama and why the craft of women writers still isn’t recognised. Hosted on Acast. Se…
  continue reading
 
How do you bring a play into the present day? That’s the question facing playwright Rob Madge and director Sophie Drake, as they bring Brandon Thomas' 19th century gender-hopping farce into the present day. The show opens at the rustic, beautiful Watermill Theatre, and marks a first collaboration for the award-winning duo. Hosted on Acast. See acas…
  continue reading
 
Nima Taleghani is best known as Mr Farouk in Netflix’s Heartstopper. Now his first play - an adaptation of Euripides’ Bacchae - has become the first debut play in the Olivier theatre. And it opens his director Indhu Rubasingham’s first season as artistic director of the National Theatre. They talk to Sarah about making classics contemporary, rhymin…
  continue reading
 
In a WhatsOnStage Podcast first, we exclusively reveal that Kate Fleetwood will be playing the Witch in Jordan Fein’s upcoming Into the Woods revival, playing at the Bridge Theatre from early December. We want to hear about how it feels for the performer to appear in their first EVER Sondheim production, and what might be in store for audiences whe…
  continue reading
 
Another mid-week bonus episode of the WhatsOnStage Podcast sees Alex talking to the team behind the world premiere production of 13 Going On 30 The Musical, which opens this September in Manchester. Cathy Yuspa and Josh Goldsmith, who penned the original Hollywood classic, are back at the helm of the new stage production, which reunites Lucie Jones…
  continue reading
 
This week, Emma Rice rechristened her company Wise Children with the new name Emma Rice Company, and we took the opportunity to sit down and reflect on her career so far – from touring new work, to enchanting families at Christmas and taking productions across continents. She explains her efforts to try and solve the problems around regional tours,…
  continue reading
 
In this episode, we sit down with Olivier Award-winning actor Kyle Soller to talk about his latest role in Romans, a novel, Alice Birch’s ambitious new play at the Almeida Theatre. Directed by Sam Pritchard, the piece is a sweeping exploration of masculinity from the nineteenth century to today. Kyle reflects on what drew him to the project, the ch…
  continue reading
 
As the nights draw in, Sarah and Alex discuss some of their favourite shows about to hit the stage in the next couple of months including a stage version of The Hunger Games, the return of the Conor McPherson classic The Weir and appearances from Joe Alwyn, Nicola Walker, Letitia Wright, Susan Sarandon and many more Hosted on Acast. See acast.com/p…
  continue reading
 
As she wraps up a month at the Edinburgh Fringe, Laura Benanti travels south to present her solo comedy show Nobody Cares. She explains her inspiration for the show, why it isn't like anything else she's done on stage, and how she's found a month of performing at the iconic Scottish arts festival. Oh, and why it's such a scary time for comics in th…
  continue reading
 
It's a packed agenda on this week's episode of the WhatsOnStage Podcast. First up, Sarah reflects on her latest trip north of the border to talk on a panel about all things criticism, alighting on the subject of critic Arifa Akbar's wonderful series on criticism available on BBC Sounds. From there, Alex and Sarah mull over Sarah's fantastic intervi…
  continue reading
 
In this episode, we’re joined by two leading lights of musical theatre who are stepping into one of the most beloved shows in the canon. Phillip Attmore and Lucy St. Louis star as Jerry Travers and Dale Tremont in Top Hat at Chichester Festival Theatre this summer, taking on roles made famous by Fred Astaire and Ginger Rogers. We also discuss how t…
  continue reading
 
Sarah has been to the Edinburgh Festival at the same time as Oasis and Liam Gallagher chose to make a few choice remarks about there being another event up the road. She and Alex discuss why his comments - he said the festival consisted of people “juggling f---ing b------s… swallowing swords” and “s----y card tricks” - cut against the spirit of fes…
  continue reading
 
Luke Newton has won over millions of hearts as Colin Bridgerton, but will face a wholly different challenge when he stars in Darrah Cloud’s House of McQueen off-Broadway at The Mansion at Hudson Yards. Newton will take on the role of Lee Alexander McQueen, more commonly known simply as Alexander McQueen, in a show based on the iconic fashion design…
  continue reading
 
It’s wedding season and Alex is away at one of the numerous celebrations he’s been invited to this summer. Which made him and Sarah think about the way that weddings are used on stage, screen and television. As Beth Steel’s Till the Stars Come Down packs them in in the West End, they look back at plays by writers such as Lorca, Shakespeare and more…
  continue reading
 
West End star Rosalie Craig will be returning to the stage this summer to appear alongside Sean Hayes in the London transfer of Good Night, Oscar, now playing at the Barbican Theatre. We sat down to have a virtual chat about the show, why it fits the Barbican so well and how for Craig, it's something of a homecoming. Beyond that, she also pined for…
  continue reading
 
Sarah and Alex pick up the debate about the role of criticism triggered by the New York Times decision to take three critics off their customary beat. And apply the lessons to the extraordinary range of reactions to Burlesque. And Alex reports back from Jesus Christ Superstar at the Watermill and Top Hat at Chichester. Hosted on Acast. See acast.co…
  continue reading
 
We checked in with Emma De Souza, executive director of audience and commercial at Society of London Theatre and the mastermind behind the long-running audience development initiative, Kids Week. The scheme provides free theatre tickets for youngsters accompanying paying adult punters – a huge move in order to encourage the audiences of the future …
  continue reading
 
Sarah is still swanning it up in bella Italia (the country, not the restaurant), so Alex has brought in TheaterMania's editor-in-chief David Gordon to comb through two big stories in theatre this week. First of all, the turbulent Burlesque the Musical has had its opening night at the Savoy Theatre, with Alex giving his verdict on the production – a…
  continue reading
 
In a special midweek episode, three former Elphabas – Louise Dearman, Kerry Ellis and Rachel Tucker – come together to discuss the legacy of Wicked and the new surge in love for the franchise after the release of the hit film. The trio will be appearing together for a special concert at Theatre Royal Drury Lane at the end of August, and have used t…
  continue reading
 
Alex and Sarah will be back on Friday, but in the meantime we’ve dedicated an episode to a British show that continues to conquer both sides of the Atlantic, having been crowned the 2024 Best New Musical at both the WhatsOnStage and Olivier Awards in London and receiving four Tony nominations (winning one) in New York – Operation Mincemeat. We pair…
  continue reading
 
On this week's episode of the WhatsOnStage Podcast, Sarah and Alex plunder the letter bag to tackle some tantalising listener questions – with subjects ranging from cleaning costumes (very topical in the ongoing heatwave!) to the importance of intervals. Finally, they take a trip down memory lane to think about productions they'd love to have seen …
  continue reading
 
With Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar celebrating a lengthy summer run at the award-winning Watermill Theatre in Newbury, Alex Wood popped into the rehearsal room to find out how the show is being performed by a group of actor-musicians - transplanting the tunes and placing them slap bang in the heart of the action. Hosted …
  continue reading
 
As we put out our main episode two days early (go back and give it a listen!) – here's something to take you through the weekend. In what is our last episode on Evita for a while (we promise), we sit down with star Rachel Zegler and team behind the new production of Andrew Lloyd Webber and Tim Rice's Evita at The London Palladium. They spill the be…
  continue reading
 
In an excitable episode (fuelled by the heatwave), Sarah Crompton and Alex Wood unite to chew over Jamie Lloyd's production of Andrew Lloyd Webber and Tim Rice's Evita, starring Golden Globe winner Rachel Zegler – now that the embargo has lifted. After that, the pair discuss other shows that have wowed them in recent weeks – including a surprise an…
  continue reading
 
As her brilliant play Till the Stars Come Down transfers to the West End, playwright Beth Steel talks to Sarah about her unexpected discovery of theatre and the mental blocks and financial obstacles that stop working class voices being heard Hosted on Acast. See acast.com/privacy for more information.…
  continue reading
 
With this week's main episode coming out two days early, special guest Katie Brayben joins Alex Wood for a Friday chitchat. The two-time Olivier Award-winner will be returning to the role of Elizabeth in the hit Bob Dylan musical Girl from The North Country, now playing once more at the Old Vic in London. Other topics include Brayben's time in Tamm…
  continue reading
 
It's a two-part episode as Alex and Sarah reunite after a few weeks out in the wild! Social media is all abuzz with clips of Rachel Zegler's performance of "Don't Cry For Me Argentinia" in Evita at The London Palladium. The only ones not talking about it? Theatre critics – who have to wait until early July to give their verdicts on the show. With w…
  continue reading
 
As Rachel Zegler prepares to take on the role of Eva Peron in Andrew Lloyd Webber and Tim Rice’s ageless classic, Sarah sets out to find out more about the London Palladium production. Plus what was it like working with Tom Hiddleston and Hayley Atwell and how did they cope with the crowds mobbing Sunset Boulevard in New York Hosted on Acast. See a…
  continue reading
 
Sunday night saw the winners crowned at the Tony Awards in New York. While new musical Maybe Happy Ending may have been the big winner, there were plenty of awards dished out to UK-originating shows, including Operation Mincemeat, Stranger Things: The First Shadow and more! We hear from all of them… while Andrew Lloyd Webber explains why a Sunset B…
  continue reading
 
Loading …
Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play