An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Manage episode 520480122 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
"In the field recording, there was a conversation that felt like reminiscing. I say it felt that way because I do not speak the language. I loved the contrast between that dialogue and a shouting voice at the start and end that sounded desperate for someone's attention.
"The shout itself could have been anything, a chant, a protest, or even a stall holder drumming up business, and it truly captured my imagination.
"I wanted to create two opposing parts: the past, represented by a granular, ghostly memory, before moving into the 'now' and beyond, recognising that the present will one day become a memory itself.
"I used the chant to move between these two states. I wanted it to represent resistance, protest, excitement, and the march of progress all at once, because change can be simultaneously exciting, scary, and sad.
"Beyond the voices, I used other sounds from the recording to create granular rhythms and textures, as well as some more percussive sounds for a beat and finally, I worked on including additional synths and some drums."
Guqiting Street, Yangzhou reimagined by Craig Burton.
"The shout itself could have been anything, a chant, a protest, or even a stall holder drumming up business, and it truly captured my imagination.
"I wanted to create two opposing parts: the past, represented by a granular, ghostly memory, before moving into the 'now' and beyond, recognising that the present will one day become a memory itself.
"I used the chant to move between these two states. I wanted it to represent resistance, protest, excitement, and the march of progress all at once, because change can be simultaneously exciting, scary, and sad.
"Beyond the voices, I used other sounds from the recording to create granular rhythms and textures, as well as some more percussive sounds for a beat and finally, I worked on including additional synths and some drums."
Guqiting Street, Yangzhou reimagined by Craig Burton.
688 episodes
MP3•Episode home
Manage episode 520480122 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
"In the field recording, there was a conversation that felt like reminiscing. I say it felt that way because I do not speak the language. I loved the contrast between that dialogue and a shouting voice at the start and end that sounded desperate for someone's attention.
"The shout itself could have been anything, a chant, a protest, or even a stall holder drumming up business, and it truly captured my imagination.
"I wanted to create two opposing parts: the past, represented by a granular, ghostly memory, before moving into the 'now' and beyond, recognising that the present will one day become a memory itself.
"I used the chant to move between these two states. I wanted it to represent resistance, protest, excitement, and the march of progress all at once, because change can be simultaneously exciting, scary, and sad.
"Beyond the voices, I used other sounds from the recording to create granular rhythms and textures, as well as some more percussive sounds for a beat and finally, I worked on including additional synths and some drums."
Guqiting Street, Yangzhou reimagined by Craig Burton.
"The shout itself could have been anything, a chant, a protest, or even a stall holder drumming up business, and it truly captured my imagination.
"I wanted to create two opposing parts: the past, represented by a granular, ghostly memory, before moving into the 'now' and beyond, recognising that the present will one day become a memory itself.
"I used the chant to move between these two states. I wanted it to represent resistance, protest, excitement, and the march of progress all at once, because change can be simultaneously exciting, scary, and sad.
"Beyond the voices, I used other sounds from the recording to create granular rhythms and textures, as well as some more percussive sounds for a beat and finally, I worked on including additional synths and some drums."
Guqiting Street, Yangzhou reimagined by Craig Burton.
688 episodes
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