If you’ve ever found yourself hesitating to start a project because it didn’t feel “portfolio-worthy,” this one’s for you. I’ve fallen into that trap more times than I’d like to admit — obsessing over whether something I’m making is polished enough to represent me. The irony? That mindset kills the very creativity that fills a portfolio in the first place.

Somewhere along the way, we started treating our portfolios like prisons instead of playgrounds. We only want to show our “best work,” so we start *only* making work we think will fit that box. Every idea gets judged before it’s even born. That’s not curation — that’s fear dressed up as professionalism.

Here’s the shift: Separate creation from curation.

When you’re creating, you’re exploring. You’re playing. You’re trying things that might fail — and that’s where originality lives. When you’re curating, you’re editing. You’re selecting what best represents your voice *after* you’ve made a lot of things. These are two different modes, and mixing them up is where people get stuck.

Let yourself make a mess. Create hundreds of sketches, photos, prototypes, or drafts that no one will ever see. Then, later, curate like a maniac. The discipline is in the separation — not in perfection.

Some of the best gigs of my career came from “throwaway” experiments — the projects I almost didn’t share because they weren’t polished enough. Those experiments showed curiosity and risk-taking. Clients and collaborators see that energy and think, *I want that.*

You don’t need every piece of work to land in your portfolio. You just need to make enough to find the pieces that truly speak for you.

• The portfolio trap: how obsessing over “shareable” work limits your creativity
• Separate creation and curation: freedom in process, discipline in presentation
• Messy work = momentum: why experimentation builds better portfolios
• Play over perfection: creativity thrives when the stakes are low

The big idea? Your portfolio should reflect your growth — not restrict it. Make more. Edit later. The only “wrong” project is the one you were too afraid to start.