Whether it’s a shoegaze band from Chandigarh, thrash metal act from Visakhapatnam, rapper from Kashmir, vocal folk quartet from Kohima, Tamil indie pop act from Madurai, or a singer-songwriter from Mussoorie, Maed in India is where you’ll discover it. Started in 2015, music nerd and ex-radio presenter Mae Mariyam Thomas showcases the best talent coming out of South Asia and its diaspora. The show is India’s first indie music podcast and prides itself on being the premier destination for new ...
…
continue reading
Content provided by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Ep517: Preserving the Westbound Sound
Manage episode 509059082 series 1554544
Content provided by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Mastering Engineer Dave Gardner & Audio Archivist Catherine Vericolli discuss the preservation of the Westbound Records audio catalogue, including the masters of legendary recordings by Funkadelic, The Counts, Ohio Players & more.
Topics Include:
- Dave Gardner (mastering engineer) and Catherine Vericoli (archivist) introduce their specialized roles
- Mastering serves as link between creative process and manufacturing standards
- Catherine transfers analog tapes to highest possible digital quality preservation
- Physical restoration work includes extensive mold and splice remediation tasks
- Much archival work involves "audio archaeology" detective work with clues
- Working backwards from incomplete information when documentation is missing completely
- Common assumption that old records were always done "the right way"
- Reality reveals beloved records often weren't made using proper methods
- Got rare access to examine entire Westbound Records collection together
- Westbound Records started late 1960s by distributor Armin Bolodian in Detroit
- Detroit-based independent label achieved regional success with multiple hit records
- Funkadelic, Ohio Players, Detroit Emeralds were among their major successful acts
- Complete catalog reissue approach rather than cherry-picking just popular hits
- Assets moved between multiple locations over decades, not everything returned
- Found various generations and copies of tapes for each release
- Maggot Brain original masters were believed to be permanently missing
- Discovery of missing masters hidden in completely unmarked white archive boxes
- Original tape playback speeds rarely match speeds of vinyl releases
- Spent entire week meticulously fine-tuning correct playback speeds for accuracy
- Academic ethnomusicologist confirmed musical key was wrong on commercial releases
- Many recent European reissues contain fundamentally inaccurate speed and sound
- Double 45 RPM format avoids sonic compromises required for long sides
- 27-minute album sides on 33 RPM required major audio quality sacrifices
- All-analog cutting process preserves original sound character without digital conversion
- Unreleased material exists primarily in unprocessed multitrack tape format only
- Dennis Coffey played guitar on many more Funkadelic recordings than known
- Analog tape degradation accelerating rapidly, especially problematic for digital formats
- Cultural preservation mission drives their passionate collaborative archival restoration work
- Asset paranoia and trust issues affect access to important historical recordings
- Primary motivation remains saving irreplaceable music for all future generations
High resolution version of this podcast is available at: www.Patreon.com/VinylGuide
- Apple: https://tinyurl.com/tvg-ios
- Spotify: https://tinyurl.com/tvg-spot
- Amazon Music: https://tinyurl.com/tvg-amazon
- Support the show at Patreon.com/VinylGuide
532 episodes
Ep517: Preserving the Westbound Sound
The Vinyl Guide - Artist Interviews for Record Collectors and Music Nerds
Share
Manage episode 509059082 series 1554544
Content provided by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nate Goyer, Record Collector, Music Fan, and Vinyl Maniac or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Mastering Engineer Dave Gardner & Audio Archivist Catherine Vericolli discuss the preservation of the Westbound Records audio catalogue, including the masters of legendary recordings by Funkadelic, The Counts, Ohio Players & more.
Topics Include:
- Dave Gardner (mastering engineer) and Catherine Vericoli (archivist) introduce their specialized roles
- Mastering serves as link between creative process and manufacturing standards
- Catherine transfers analog tapes to highest possible digital quality preservation
- Physical restoration work includes extensive mold and splice remediation tasks
- Much archival work involves "audio archaeology" detective work with clues
- Working backwards from incomplete information when documentation is missing completely
- Common assumption that old records were always done "the right way"
- Reality reveals beloved records often weren't made using proper methods
- Got rare access to examine entire Westbound Records collection together
- Westbound Records started late 1960s by distributor Armin Bolodian in Detroit
- Detroit-based independent label achieved regional success with multiple hit records
- Funkadelic, Ohio Players, Detroit Emeralds were among their major successful acts
- Complete catalog reissue approach rather than cherry-picking just popular hits
- Assets moved between multiple locations over decades, not everything returned
- Found various generations and copies of tapes for each release
- Maggot Brain original masters were believed to be permanently missing
- Discovery of missing masters hidden in completely unmarked white archive boxes
- Original tape playback speeds rarely match speeds of vinyl releases
- Spent entire week meticulously fine-tuning correct playback speeds for accuracy
- Academic ethnomusicologist confirmed musical key was wrong on commercial releases
- Many recent European reissues contain fundamentally inaccurate speed and sound
- Double 45 RPM format avoids sonic compromises required for long sides
- 27-minute album sides on 33 RPM required major audio quality sacrifices
- All-analog cutting process preserves original sound character without digital conversion
- Unreleased material exists primarily in unprocessed multitrack tape format only
- Dennis Coffey played guitar on many more Funkadelic recordings than known
- Analog tape degradation accelerating rapidly, especially problematic for digital formats
- Cultural preservation mission drives their passionate collaborative archival restoration work
- Asset paranoia and trust issues affect access to important historical recordings
- Primary motivation remains saving irreplaceable music for all future generations
High resolution version of this podcast is available at: www.Patreon.com/VinylGuide
- Apple: https://tinyurl.com/tvg-ios
- Spotify: https://tinyurl.com/tvg-spot
- Amazon Music: https://tinyurl.com/tvg-amazon
- Support the show at Patreon.com/VinylGuide
532 episodes
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Similar to The Vinyl Guide - Artist Interviews for Record Collectors and Music Nerds
Whether it’s a shoegaze band from Chandigarh, thrash metal act from Visakhapatnam, rapper from Kashmir, vocal folk quartet from Kohima, Tamil indie pop act from Madurai, or a singer-songwriter from Mussoorie, Maed in India is where you’ll discover it. Started in 2015, music nerd and ex-radio presenter Mae Mariyam Thomas showcases the best talent coming out of South Asia and its diaspora. The show is India’s first indie music podcast and prides itself on being the premier destination for new ...
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
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continue reading
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