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Punch-Drunk Love (2002) with Portia Barnett-Herrin
Manage episode 501120082 series 3528111
In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.
https://www.newwoo.uk/
https://www.instagram.com/portia_bh/
https://www.threads.com/@portia_bh
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojectorpod.threadless.com/
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
220 episodes
Manage episode 501120082 series 3528111
In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.
https://www.newwoo.uk/
https://www.instagram.com/portia_bh/
https://www.threads.com/@portia_bh
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojectorpod.threadless.com/
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
220 episodes
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