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Michael Douglas Explains It All

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Manage episode 493792815 series 1058901
Content provided by Stephanie Bastek and The American Scholar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Stephanie Bastek and The American Scholar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

American men are having a hard time right now. They're behind in school, staying single, earning less, drinking more, and dying younger. They’re also taking out their anger on women online, in the home, and in mass shootings, and taking dubious advice from social media influencers pushing ice baths and raw meat diets. They'd be better off looking to the films of Michael Douglas, argues Jessa Crispin in her new book, What Is Wrong With Men: Patriarchy, the Crisis of Masculinity, and How (Of Course) Michael Douglas Films Explain Everything. Throughout the ’80s and ’90s, Douglas’s characters were a mirror for our times, reflecting seismic economic and cultural shifts: “He was our president, our Wall Street overlord, our mass shooter, our failed husband, our midlife crisis, our cop, and our canary in the patriarchal coal mine.” Not that these characters offer a how-to guide today (just as they didn’t a few decades ago). Rather, as Crispin writes, Douglas “embodied the torments and confusions of the modern man, letting the invisible trouble become discernible.” While feminists have spent the past half-century manifesting alternatives, however imperfect or in progress, to previous norms of femininity, men like Douglas have been stuck trying to play the same role as the stage they’d stood on changed. Crispin dares to ask: in a post-Michael Douglas world, of what will the men dream?

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Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.


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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!


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327 episodes

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Michael Douglas Explains It All

Smarty Pants

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Manage episode 493792815 series 1058901
Content provided by Stephanie Bastek and The American Scholar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Stephanie Bastek and The American Scholar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

American men are having a hard time right now. They're behind in school, staying single, earning less, drinking more, and dying younger. They’re also taking out their anger on women online, in the home, and in mass shootings, and taking dubious advice from social media influencers pushing ice baths and raw meat diets. They'd be better off looking to the films of Michael Douglas, argues Jessa Crispin in her new book, What Is Wrong With Men: Patriarchy, the Crisis of Masculinity, and How (Of Course) Michael Douglas Films Explain Everything. Throughout the ’80s and ’90s, Douglas’s characters were a mirror for our times, reflecting seismic economic and cultural shifts: “He was our president, our Wall Street overlord, our mass shooter, our failed husband, our midlife crisis, our cop, and our canary in the patriarchal coal mine.” Not that these characters offer a how-to guide today (just as they didn’t a few decades ago). Rather, as Crispin writes, Douglas “embodied the torments and confusions of the modern man, letting the invisible trouble become discernible.” While feminists have spent the past half-century manifesting alternatives, however imperfect or in progress, to previous norms of femininity, men like Douglas have been stuck trying to play the same role as the stage they’d stood on changed. Crispin dares to ask: in a post-Michael Douglas world, of what will the men dream?

Go beyond the episode:

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.


Subscribe: iTunes/AppleAmazonGoogleAcastPandoraRSS Feed


Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

327 episodes

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