In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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075 - Saad Haddad
Manage episode 394996432 series 2464494
Content provided by Now and Xen. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Now and Xen or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam. Music: Vortex Temporum - Gérard Grisey Vignettes - Saad Haddad Aysheen (demo) - Saad Haddad Outro: Aysheen (demo) - Saad Haddad Saad has his own podcast! (check it out): https://www.youtube.com/@saadhaddadshow Other links: https://www.saadnhaddad.com/ https://www.youtube.com/channel/UCPIEc4WKDbeemLQAqyhIUsA
Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
94 episodes
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Manage episode 394996432 series 2464494
Content provided by Now and Xen. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Now and Xen or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam. Music: Vortex Temporum - Gérard Grisey Vignettes - Saad Haddad Aysheen (demo) - Saad Haddad Outro: Aysheen (demo) - Saad Haddad Saad has his own podcast! (check it out): https://www.youtube.com/@saadhaddadshow Other links: https://www.saadnhaddad.com/ https://www.youtube.com/channel/UCPIEc4WKDbeemLQAqyhIUsA
Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
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Similar to Now and Xen
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
This blues podcast brings the best of blues music to ya, old and new, signed and unsigned! Get a refill on your favorite drink, grab a seat, and get ready to get some blues in the blood!
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continue reading
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The Sounds in My Head is a biweekly music show featuring songs and bands you might have missed. Hosted by Daniel since 2004. Musically The Sounds in My Head attempts to be fairly eclectic, but probably tends to lean towards "indie pop" music. Also, I try to squeeze in as much left-wing propaganda as possible between tracks.
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