Every week on Performance Today™, Bruce Adolphe re-writes a familiar tune in the style of a classical composer. We get one of our listeners on the phone, and our caller listens to Bruce play his Piano Puzzler™. They then try to do two things: name the hidden tune, and name the composer whose style Bruce is mimicking. From American Public Media.
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Mr. Sax's instrument and Ms. Perry's Quartet
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Manage episode 346242133 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
The saxophone — whose flashing serpentine figure is now virtually synonymous with jazz clubs and wind bands — was the brainchild of woodwind craftsman Adolphe Sax, born in Belgium on this date in 1814, to a family of prominent instrument makers. Sax moved to Paris in his late 20s, where he proved himself a restless and prolific inventor of new instruments.
Yet only a few of these lived on, of which the saxophone is by far the most popular. John Philip Sousa’s band gave many audiences in this country their first taste of the saxophone, and its important role in jazz can hardly be overestimated — that’s a development that neither Sax nor Sousa could have foreseen.
In the symphonic repertory, saxophones are still just occasional visitors to the concert hall, but in the world of chamber music, saxophone quartets have become quite popular. In America alone there are dozens of professional saxophone quartets who commission and perform new works.
Take, for example, the Quartet for Saxophones by the Canadian composer Anita “A.D.” Perry, a work written for the Amherst Saxophone Quartet of Buffalo, New York. The Amherst Quartet has a 20-year history of commissioning and performing new music, and has recorded a number of CDs, include one of Perry’s quartet.
Music Played in Today's Program
Anita D. Perry (b. 1960): Quartet for Saxophones; Amherst Saxophone Quartet; innova 5
2668 episodes
MP3•Episode home
Manage episode 346242133 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
The saxophone — whose flashing serpentine figure is now virtually synonymous with jazz clubs and wind bands — was the brainchild of woodwind craftsman Adolphe Sax, born in Belgium on this date in 1814, to a family of prominent instrument makers. Sax moved to Paris in his late 20s, where he proved himself a restless and prolific inventor of new instruments.
Yet only a few of these lived on, of which the saxophone is by far the most popular. John Philip Sousa’s band gave many audiences in this country their first taste of the saxophone, and its important role in jazz can hardly be overestimated — that’s a development that neither Sax nor Sousa could have foreseen.
In the symphonic repertory, saxophones are still just occasional visitors to the concert hall, but in the world of chamber music, saxophone quartets have become quite popular. In America alone there are dozens of professional saxophone quartets who commission and perform new works.
Take, for example, the Quartet for Saxophones by the Canadian composer Anita “A.D.” Perry, a work written for the Amherst Saxophone Quartet of Buffalo, New York. The Amherst Quartet has a 20-year history of commissioning and performing new music, and has recorded a number of CDs, include one of Perry’s quartet.
Music Played in Today's Program
Anita D. Perry (b. 1960): Quartet for Saxophones; Amherst Saxophone Quartet; innova 5
2668 episodes
All episodes
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