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How Beetronics Got Everyone’s Attention

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Manage episode 511608541 series 97197
Content provided by Blake Wyland & Sound Talent Media, Blake Wyland, and Sound Talent Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Blake Wyland & Sound Talent Media, Blake Wyland, and Sound Talent Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Beetronics didn’t just buzz onto the scene—they showed up in beekeeper suits and rewired how pedal brands think about vibe. In this episode, Filipe Pampuri tells the whole wild arc: teenage studio raids in São Paulo, building a home studio so serious they moved mom out of her bedroom, hopping to L.A. to mix at NRG with Jay Baumgardner, mastering at Sterling Sound, touring alongside Papa Roach and P.O.D., and accidentally launching a pedal company that turned into an art project with knobs.

We dig into Beetronics’ visual identity, the leap from hand-painted customs to the signature faceplates, the breakout Royal Jelly moment, and the brand-new BeeBeeDee—an analog delay that nails the classic sound and then goes sideways with lo-fi textures and pitch-shifted octaves. Also: why São Paulo pizza will ruin you for life, what “B” actually stands for, and a reminder that you make the music, not the gear.

  • The nickname that became Beetronics and the Comic-Con-meets-NAMM launch

  • DIY beginnings: ADAT mishaps, studio obsession, and learning electronics to keep sessions alive

  • L.A. chapter: NRG, Sterling Sound, and opening for big rock tours

  • How a custom “Whoctahell” turned into orders… and then a company

  • Designing pedals as instruments: art direction, faceplates, and community shout-outs

  • Deep dive on the BeeBeeDee analog delay: classic tone, lo-fi mode, clever HP/LP tone shaping, and square-wave pitch tricks for “one-guitar, fake-band” madness

  • Philosophy check: chase inspiration first, gear second

Check out the stuff on their website HERE https://www.beetronicsfx.com/

Support The Show And Connect!

The Text Chat is back! Hit me up at (503) 751-8577

You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

496 episodes

Artwork
iconShare
 
Manage episode 511608541 series 97197
Content provided by Blake Wyland & Sound Talent Media, Blake Wyland, and Sound Talent Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Blake Wyland & Sound Talent Media, Blake Wyland, and Sound Talent Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Beetronics didn’t just buzz onto the scene—they showed up in beekeeper suits and rewired how pedal brands think about vibe. In this episode, Filipe Pampuri tells the whole wild arc: teenage studio raids in São Paulo, building a home studio so serious they moved mom out of her bedroom, hopping to L.A. to mix at NRG with Jay Baumgardner, mastering at Sterling Sound, touring alongside Papa Roach and P.O.D., and accidentally launching a pedal company that turned into an art project with knobs.

We dig into Beetronics’ visual identity, the leap from hand-painted customs to the signature faceplates, the breakout Royal Jelly moment, and the brand-new BeeBeeDee—an analog delay that nails the classic sound and then goes sideways with lo-fi textures and pitch-shifted octaves. Also: why São Paulo pizza will ruin you for life, what “B” actually stands for, and a reminder that you make the music, not the gear.

  • The nickname that became Beetronics and the Comic-Con-meets-NAMM launch

  • DIY beginnings: ADAT mishaps, studio obsession, and learning electronics to keep sessions alive

  • L.A. chapter: NRG, Sterling Sound, and opening for big rock tours

  • How a custom “Whoctahell” turned into orders… and then a company

  • Designing pedals as instruments: art direction, faceplates, and community shout-outs

  • Deep dive on the BeeBeeDee analog delay: classic tone, lo-fi mode, clever HP/LP tone shaping, and square-wave pitch tricks for “one-guitar, fake-band” madness

  • Philosophy check: chase inspiration first, gear second

Check out the stuff on their website HERE https://www.beetronicsfx.com/

Support The Show And Connect!

The Text Chat is back! Hit me up at (503) 751-8577

You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

496 episodes

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