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TCBCast 374: Final Thoughts on "The Colonel & The King" (Feat. John Michael Heath)

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Manage episode 504398112 series 2086828
Content provided by Justin Gausman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justin Gausman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

John Heath joins Justin as they get any final thoughts we've had off their chests after having sat with Peter Guralnick's "The Colonel & The King" a bit longer, watching other fans' reactions start to stream in over the last month or so. Consider this a follow-up to both the TCBCast and EAP Society reviews, as well as John's excellent Atomic Wax breakdown (if you hadn't seen it - here's the link: https://www.youtube.com/watch?v=jdxN0xeTT1o)

The guys also take a look at a number of things Peter has stated in public interviews surrounding the book's release and whether they stack up with what he writes in the book or go further.

For Song of the Week, John's got HIS mojo working as he walks us through the deep Memphis lore around "Got My Mojo Working" - the 1970 warm-up jam on an old blues number (perhaps most famously known from Muddy Waters but previously done by Ann Cole) which Elvis turned into a medley with Priscilla Bowman & Jay McShann's R&B hit "Hands Off." Elvis's version surfaced with added overdubs on the Love Letters from Elvis album in '71 and the unedited version on "From Elvis in Nashville" remains a rocking treat.

Justin's Song of the Week is the underrated "Anyone (Could Fall in Love With You), written for inclusion in "Kissin' Cousins" but removed from the production - yet still left on the soundtrack album. However, its songwriters' most famous non-Elvis hit from the 1940s - which Elvis almost certainly knew - might inadvertently give us a small insight into Elvis's gentle, one might say even "Spot-y," vocal approach.

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform!

  continue reading

433 episodes

Artwork
iconShare
 
Manage episode 504398112 series 2086828
Content provided by Justin Gausman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justin Gausman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

John Heath joins Justin as they get any final thoughts we've had off their chests after having sat with Peter Guralnick's "The Colonel & The King" a bit longer, watching other fans' reactions start to stream in over the last month or so. Consider this a follow-up to both the TCBCast and EAP Society reviews, as well as John's excellent Atomic Wax breakdown (if you hadn't seen it - here's the link: https://www.youtube.com/watch?v=jdxN0xeTT1o)

The guys also take a look at a number of things Peter has stated in public interviews surrounding the book's release and whether they stack up with what he writes in the book or go further.

For Song of the Week, John's got HIS mojo working as he walks us through the deep Memphis lore around "Got My Mojo Working" - the 1970 warm-up jam on an old blues number (perhaps most famously known from Muddy Waters but previously done by Ann Cole) which Elvis turned into a medley with Priscilla Bowman & Jay McShann's R&B hit "Hands Off." Elvis's version surfaced with added overdubs on the Love Letters from Elvis album in '71 and the unedited version on "From Elvis in Nashville" remains a rocking treat.

Justin's Song of the Week is the underrated "Anyone (Could Fall in Love With You), written for inclusion in "Kissin' Cousins" but removed from the production - yet still left on the soundtrack album. However, its songwriters' most famous non-Elvis hit from the 1940s - which Elvis almost certainly knew - might inadvertently give us a small insight into Elvis's gentle, one might say even "Spot-y," vocal approach.

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform!

  continue reading

433 episodes

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