Carpenter Scores, Slashes, and Satire
Manage episode 519018125 series 3688520
We grade three John Carpenter films with friends who don’t pull punches. One of us calls Halloween overrated, another crowns The Thing near-perfect, and They Live sparks a debate on satire versus spectacle and what “waking up” really means.
• how our rubric scores plot, performances, visuals, sound, themes
• Halloween’s pacing, thin character work, iconic camera language
• boogeyman myth versus desire for deeper lore
• They Live’s satire, wrestlers to actors, action drift mid-film
• corporate control, media manipulation, sellout culture
• The Thing’s ambiguity, practical effects, tension by design
• Dean Cundey’s cinematography across Carpenter’s work
• Morricone and Carpenter’s scores shaping genre sound
• final grades for each film and why they differ
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Chapters
1. Cold Open, Sponsors, And Setup (00:00:00)
2. Defining Subgenres And The Rubric (00:00:45)
3. Halloween: Plot Debate And Pacing (00:02:07)
4. Halloween: Boogeyman, Themes, And Tropes (00:05:15)
5. Halloween: Performances, Visuals, Sound, Scores (00:09:24)
6. Halloween: Final Tallies And Candy Bits (00:12:54)
7. They Live: Satire, Relevance, And Plot (00:14:36)
8. They Live: Piper, Casting, And Action Drift (00:19:50)
9. They Live: Wrestlers-As-Actors Game (00:24:16)
10. They Live: Visuals, Score, And Themes (00:27:59)
11. They Live: Scores And Carpenter Rankings (00:31:18)
12. The Thing: Why It Endures (00:33:12)
13. The Thing: Plot, Ambiguity, And Tension (00:35:20)
14. The Thing: Performances And Ensemble (00:39:20)
15. The Thing: Visual Mastery And Practical Effects (00:42:05)
16. The Thing: Score, Themes, And Grades (00:46:10)
17. Final Scoreboard, Credits, And Next Time (00:49:18)
14 episodes