In this episode, Robin Richardson introduces Room Mechanics, a symbolic and metaphysical framework she’s developing to describe the architecture of reality. She presents it as both a creative work and an evolving system — a bridge between mysticism and logic, designed to help people understand how inner narratives shape outer experience.

Robin begins by recounting her near-death experience and subsequent years in what she calls a “low-dose DMT brain” state, which heightened her perception of the reflective structure of consciousness. In that visionary period, she encountered a realm of “12-dimensional DMT cartoon beings” known as Aorath — playful, precise “reality engineers” who model creation through modular cubic spaces. She interprets Aorath not as external entities but as her own higher cognitive architecture, a creative dimension within the mind.

From their perspective, Earth is “The Labyrinth”: a reflective, self-contained training system for creator-beings. Each individual exists within a Room, a mirror-environment that continuously projects and reflects their internal stories. Robin explains how this system operates through a chain of mechanisms — currents (repeated emotional or cognitive frequencies) that activate rivets, which flip switches and generate cubes, the building blocks of perceived reality.

She outlines the central binary of the system — expansion versus contraction. When one takes responsibility for reflections and refines inner stories, the Room “expands” in freedom and harmony; when one reacts unconsciously or blames the outer world, it “contracts,” producing tighter, more painful feedback loops.

Throughout, Robin situates Room Mechanics as a tool for self-mastery and creative empowerment rather than belief or dogma. The episode closes with reflections on personal growth, lessons from psychosis, and the ongoing evolution of her work — which she describes as an artistic collaboration between her human consciousness and the Aorathian dimension she discovered within.