How does music get placed in movies, TV, big brand ads and games? Who makes the music and who makes the decisions? This podcast talks to the people behind one of the most exciting business in entertainment.
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Very Syncable Podcasts
Hywel worked in, then ran the Synchronisation department at EMI Records for over 10 years, immersed in the classic catalogue that included recordings by The Beatles and Blur, Queen, Kylie and Coldplay, Robbie Williams, Radiohead and The Rolling Stones. During his time there he worked on projects across TV, film, computer games and advertising, pick…
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By Very Syncable
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Jamie Marks is a Music Supervisor at MassiveMusic, where she specialises in curating impactful soundtracks for advertising campaigns, TV, and film. With a passion for storytelling through music, she has worked on standout projects for brands like Amazon, Sport England’s This Girl Can, Santander, Oxfam, JE Delve to name a few. Her work on the short …
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Everton Lewis Jr. is an award-winning Canadian music supervisor and the founder of Wracket Music Supervision Inc.. Known for his ability to find creative and dynamic music for film, television, and advertising, he is considered one of the most sought-after professionals in his field He serves as a Contract Brand Music Supervisor for Apple, providin…
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Stuart Gazzard has been a Film Editor for over 25 years. He's worked on a number of well-known British films including Human Traffic, The Football Factory, Sunshine on Leith and Get Santa, alongside TV Series that include The Crown, McMafia, The Ipcress File and, most recently, MobLand. Watch the episode video HERE Follow Very Syncable on Instagram…
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Lol Hammond is a British music supervisor and composer with over 40 films to his credit, including The Football Factory, The Business, The Firm, Its All Gone Pete Tong, Bronson, Street Dance 1&2, The Hatton Garden Job, Horrid Henry, and many more. He is also the founder of the critically acclaimed 90's global phenomenon Drum Club. Watch the episode…
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